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PUBLIC HEALTH

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Founded in New Delhi, India in 2003, Vital Strategies has gone on to help governments strengthen their public health systems to contend with the most important and difficult health challenges. This leading global public health organization and a trusted partner of governments and civil society organizations around the world brings to the table the best of public health thinking to design solutions that can scale rapidly and improve the lives of millions of people. Part of the depth and breadth of expertise in the organization is one Nandita Murukutla with a knack for social science. Nandita, a profound social scientist holds a PhD in Social Psychology from the prestigious Yale University, furthermore she has an in-depth background in behavioral economics.

Nandita leads Vital Strategies as Vice President in Global Policy and Research. In this global health organization, she has diligently continued to empower policymakers and program managers to make evidence-driven decisions that achieve health impact and protect investments. She collaborates with academic experts and lead a team of researchers at Vital Strategies in primary research, monitoring and evaluation, and policy analysis. This research has been applied by governments and other stakeholders in countries across Africa, the Americas, Asia, and Eastern Europe in the areas of food policy, road safety and injury prevention, tobacco control, maternal and reproductive health and more recently to the public health response to COVID-19. In addition, she also oversees the division’s programs and government engagements in India.

Self-driven at her core, she believes strongly in the importance of translational science for an effective global health governance system, and often she is involved in efforts to ensure that international policies and standards reflect the latest evidence.

Recently, she directed an interesting report titled: ‘THE SOBERING TRUTH: INCENTIVIZING ALCOHOL DEATH AND DISABILITY.’ While giving an in-depth overview of the report she expressed that the Economic incentives may sound like a good thing-financial motivation to encourage people or groups to take actions. But economic incentives aren’t always good for everyone involved she highlighted more so when the incentivized “actions” contribute to the death of 3 million people per year and cause significant injury, suffering and disability, then these “economic incentives” take on a negative and sinister connotation. She uttered, “They become, in the words of economists, “perverse.” This report-the first of its kind-lifts the lid on the significant economic incentives that governments and international development agencies give to the alcohol industry, even though the industry has a well-known postmortem record of causing death and harm. Harmful alcohol consumption, such as binge drinking, affects a range of health, social, and economic factors. Among them, it: Leads to one death every 10 seconds-3 million deaths per year globally; Is a leading risk factor for noncommunicable diseases (NCDs), including cancer, cardiovascular disease and liver diseases. Can worsen the course of infectious diseases, such as tuberculosis, HIV/ AIDS, pneumonia and yes, COVID-19; Is the leading global risk factor for death and disability for people 15 to 49; Can exacerbate mental health conditions and contribute to violence in the form of homicides, suicides and domestic abuse; Caused approximately 370,000 deaths on the road globally in 2016. It is, therefore, utterly mind-boggling, given the huge toll of death and disability, that high-level global development agencies would incentivize countries to give financial breaks to the perpetrator-the alcohol industry-under the guise of development assistance.”

The question still remains, how can we square off the benefit of development assistance with the loss of 3 million lives a year and a long-term destruction of health and mental well-being? How can we justify the benefit of development assistance when the vast majority of beneficiaries of incentives turn out to be multinational alcohol corporations from high-income countries?

Nandita Murukutla explained to Capital this lingering questions. Excerpts;

Capital: Your report finds that governments and development agencies give substantial financial incentives to the alcohol industry, and such incentives are commonly disbursed from high-income countries to transnational alcohol corporations producing and selling in low- and middle-income countries. Can you explain this finding further and its implications?

Nandita Murukutla: The Sobering Truth: Incentivizing Alcohol Death and Disability reviews publicly available data on economic incentives going to the alcohol industry over the past 25 years from governments and development agencies. We find that significant investments, including development aid intended for the welfare and growth of those societies, are most often allocated in low- and middle-income countries for the production and promotion of alcohol, a product that is well-known to cause extensive death and disability.

Governments, the development community and concerned citizens need to reexamine the current economic incentives to the alcohol industry. There’s a contradiction between the stated intent of the public spending, which is meant for the economic development and welfare of societies, and the reality of its use. These less-resourced recipient countries identified in our report have among the highest alcohol burdens in their societies, including the highest attributable deaths from alcohol.

Capital: Your report states that alcohol producer AB InBev is the ninth largest advertiser in the world, with global spending estimated at US $6.2 billion in 2017. Their spending on advertising rivals government health expenditures in all low-income countries combined-$6.5 billion in 2017. What is your reaction to this?

Nandita Murukutla: The marketing, promotion and sponsorship of alcohol is one of the chief drivers of the growing rates of alcohol consumption worldwide. And yet, the advertising of alcohol continues unabated. Even worse, alcohol companies can claim tax deductions on their marketing budgets in some countries, thus stretching their alcohol marketing budgets.

It is indeed shameful that a single multinational corporation’s budget for advertising should rival public expenditures for health in all low-income countries. As countries struggle to meet their health care needs, including the soaring costs of chronic diseases like cancer and heart disease, many of them continue to promote the very products (alcohol, unhealthy foods, and tobacco) that harm people’s health by causing such diseases. There is no room or economic justification for diverting public incentives towards a product that is contributing to more than 3 million deaths each year.

Capital: Many countries across the world vie to host the FIFA World Cup. In 2010 and 2014, among other years, FIFA required host countries to waive taxes on any profits made by FIFA’s commercial partners. This includes AB InBev, the event’s official beer partner for several years running. What is the impact of this on countries and those who watch the event globally?

Nandita Murukutla: FIFA, the international governing body for football, requires a host country to give tax breaks on any profits made by its commercial partners, including alcohol producer AB InBev. While the tax breaks allow AB InBev to reap substantial profits, it deprives the host country of millions in revenue that could have been used to improve the health and well-being of its people.

During the 2014 World Cup, FIFA required the host country Brazil to give tax breaks to FIFA, AB InBev and other commercial partners, totaling US $475 million-and yet, binge drinking, which causes many harms, is reported by 51% of alcohol drinkers in the country. In 2010, South Africa hosted the World Cup, and FIFA, AB InBev and other commercial partners reported receiving US $3.8 billion tax-free in revenue. However, South Africa experienced a $3.1 billion net loss from hosting the event and over half of alcohol drinkers engage in heavy drinking in the country.

Capital: Beer companies in Africa are aggressively subsidizing seeds for seed production, Ethiopia is also one of them, how does this affect countries?

Nandita Murukutla: So many more lives are harmed than are helped with these incentives to the alcohol industry. The Sobering Truth: Incentivizing Alcohol Death and Disability highlights an example of this in in Uganda, when global alcohol producer SABMiller leveraged a production subsidy of a local seed variety for beer production to encourage local farmers to produce and harvest it. This subsidy led to increased production and sales of a new low-cost beer in Uganda, created 100 permanent factory jobs and was hailed for advancing economic development. Given these successes, SABMiller initiated sorghum beer development projects in other countries across Africa, using the Ugandan model. Yet, the incentive also promoted the growth and sale of beer in Uganda, a country where alcohol use is the leading risk factor for premature death.

While governments have a responsibility towards their citizens to grow domestic economies, our report urges governments to do so in a manner that is sustainable and that will reap long-term benefits and the promise of the “demographic dividend” and growth anticipated in developing economies, including in Africa.

The best art galleries in Africa: Top 10 list

By RodahMogeni

African creative art has been experiencing tremendous growth over the years. Currently, it is among the scenes that attract huge revenues, boosting the economy of the continent. Many nations have been heavily investing in the sector, considering its huge benefits. Also, it showcases and promotes the history of different African cultures. Which country has the best and modern art gallery in Africa, though?

Art galleries are the best avenues for displaying visual arts and creative forms of expression. Usually, exhibits and art fair events display drawings, paintings, printmaking materials, crafts, and sculptures. Some galleries include other artistic disciplines such as conceptual and performing arts. Which country are you likely to find at least one famous contemporary art gallery in Africa? Countries with the best art galleries in Africa are South Africa, Nigeria, Ghana, Morocco, Senegal, and Ethiopia.

Here is a list of the best on the list.

Goodman Gallery – South Africa

Goodman Gallery is one of the oldest art galleries in South Africa. The late Linda Givon established it in 1966. Currently, the facility is under the management of Liza Essers. Its objective is to showcase craft that promotes social change that confronts subconscious power structures. Goodman Gallery is arguably the largest art gallery in South Africa right now. It has two branches in the country located in Cape Town and Johannesburg. Similarly, it has another branch in London, making it an international gallery. It features the works of various extraordinarily talented artists. Some of the popular ones are William Kentridge, David Goldblatt, Sue Williamson, David Koloane, and Sam Nhlengethwa. The majority of their craft focuses on the apartheid era.

Zoma Contemporary Art Centre – Ethiopia

Zoma Contemporary Art Centre (ZCAC) is another modern art gallery in Africa based in two of Ethiopia’s major cities, Addis Ababa and Harla. It has been operating since 2002. It features the work of both Ethiopian and international artists. It is an environmentally friendly space, explaining why the inventors chose to use mud, stone, and stones to build it. Once in a while, they host performing artists in one of its studios to show their talents. Importantly, it is operating six days a week, except Friday.

Omenka Gallery – Nigeria

Omenka Gallery is an African art gallery based in Lagos, Nigeria. It displays the work of both emerging and established Nigerian artists. Some of the team’s creative members are Abbas Kelani, Cedric Nunn, Duke Asidere, Ima Mfon, and Williams Chechet. The majority of their work promotes contemporary art. They have participated in more than 30 exhibitions. Omenka Gallery also runs a publication program.

Afriart Gallery (AAG) – Uganda

Afriart Gallery is the centre for contemporary artistic ideas and discussions. The Kampala-based gallery was established in 2002 by DaudiKarungi. It has since become a great destination for people with a unique taste for modern works.

DaudiKarungi has been using the platform to mentor and support many promising African artists with a strong passion for art. Afriart has participated in many exhibitions and art fairs such as Cape Town Art Fair, AKAA Paris, 1:54 art fair NY/London, ARCO Lisbon, and Cape Town Art Fair.

First Floor Gallery – Zimbabwe

First Floor Gallery is another top ten art gallery in Africa with an amazing collection of visual artistic work. It is located in Harare, the country’s capital city. Thus, it is easily assessable if you are planning to visit it soon. It was established by independent individuals, namely Valerie Kabov and Marcus Gora, in 2009. Their dream was to help young artists to showcase their talents to the world. Apart from exhibiting visual arts, it also allows the artists to showcase their prowess in fine arts, poetry, and music.

Banana Hill Art Gallery – Kenya

Banana Hill Art Gallery was established by Shine Tani, a local artist, in 2006. It is currently one of the best art sources in East Africa and the entire continent. So far, it has showcased the work of more than 70 talented sculptors and artists. The space contains a variety of local art. Importantly, they offer the best services at friendly prices for visitors.

Zamalek Art Gallery – Egypt

Zamalek Art Gallery is another largest art gallery in Africa. It has been in existence for the past two decades. It has some of the best Arab artistic pieces you never thought existed in Cairo. Importantly, it has been supporting both pioneers and upcoming artists of Arab art. Egypt is popularly known for being a culturally diverse nation from ancient times. It embraces different types of art, making it the Zamalek the perfect destination this year. The hub has organized more than 10 important cultural exhibitions you may want to know.

Matisse Art Gallery – Morocco

Matisse Art Gallery is, undeniably, among the best African art galleries. The Marrakech-based hub is stocked with a variety of modern and contemporary paintings that can catch your eye. It was established in 1999 by one of the smartest and innovative minds. The hub contains a wide collection of African and Australian artistic pieces. Most of the materials are inspired by colonial events. It displays artistic pieces of internationally recognized artists such as ChaterNourredine, ChaterNourredine, and Hassan El Glaoui.

Nubuke Foundation – Ghana

Nubuke Foundation is one of the leading visual arts and cultural facilities in West Africa. It is, precisely, based in Accra, Ghana. The award-winning institution was founded in 2006. It displays various works by experienced and upcoming artists. Nubuke Foundation’s primary objective is to support its local artists to appreciate the country’s vital culture and heritage. Similar to some top craft hubs across the continent, their exhibition plan incorporates performing artistic activities.

Galerie Cecile Fakhoury – Senegal

Galerie Cecile Fakhoury is another craft space that was established to promote contemporary art in the continent. It is arguably another largest African art gallery with branches in Côte d’Ivoire and France. Most of its materials are about Africa’s socio-political issues.

(BRIEFLY)

 

ART, ALWAYS AT THE CENTER

“Landscape With Rainbow,” an 1859 painting by Robert Seldon Duncanson, preeminent civil war period Black artist whose ancestors were freed enslaved Africans, was the pick for the inauguration gift for the newest US President Joe Biden and his VP Jamaican-East Indian-Black American, Kamala Harris. The presentation took place in the halls of the Capitol, part of a tradition hand in hand with the transfer of power in America. Selected by First Lady and Educator Dr. Jill Biden, the landscape depicts cows heading home – grazing as they go – alongside a pristine pond with a hopeful couple following behind; all headed towards a white-washed home tucked between the trees at the foot of the rainbow. Safe to say this message of a promising place just over the hill, after a long journey speaks to the inspiration and hope ALL are seeking after an un-describable four years that impacted the world. This work of art is a speaks volumes as does Biden’s entire collection curated in minutes of swearing in to include busts of President John F. Kennedy and civil rights activists Dr. Martin Luther King Jr, Rosa Parks, and Cesar Chaves. Also within hours of being sworn in was the rescinding of over a dozen Trump executive orders including travel bans from Ethiopian ally  Eritrea, near neighbor Tanzania, and Libya, Nigeria, Somalia and Sudan. His collection of art gives us a clue into Biden’s mind and priorities.

Ethiopia’s art is also well known for memorializing our state of affairs and aspirations. Hailu Kifle has done just that through his exhibition “YehmahtemNetsebraq” (loosely translated – Reflection of A Stamp) closing at the Alliance Ethio-Francais this weekend. The 36 year old artist, born and bred in Desie, merges historical heads and events with current leaders and concerns through a cacophony of seals, meticulously positioned amidst muted paint pigments. Traditionally, the use of seals or stamps in Ethiopia were not only to identify but to certify establishing origin, status and magnitude. Hailu has managed to bring us ALL these qualities in this body of work with Monarchs in the middle, marking a proud and rich heritage that may be long gone but never forgotten. Just as the tinges of red around a shield surrounded by overturned chairs connote tumult; Hailu’s symbol filled works boasts proud lions and ornate Emperors of substantial size  which draw viewers in. He also presents a completely contemporary opus on covid19, filled with simple silhouettes of familiar figures either masked, plagued or protected… Symbols matter and every work of Hailu’s reminds us, lest we forget, that our history is inextricably tied to our future and identity.

Adding to the voice of art and aspirations of Black people and ALL for that matter, was poet laureate, Amanda Gorman. The 22 year old Black Girl Magic poster child, became an overnight international star upon the reading of her “THE HILL WE CLIMB” at the inauguration of the President Biden and VP Harris. Almost simultaneously, US Ambassador Michael Rainey was bidding farewell to Ethiopian President Sahle-Work Zewde, completing his Trump appointed term. An excerpt from Amanda’s poem sums up best the sentiment for the future, notwithstanding the challenges. I leave you with an excerpt from her poem and pray that we may ALL be moved by her fitting words that are not exclusively relevant to the US experience.

Excerpt from THE HILL WE CLIMB by Amanda Gorman

“And yes we are far from polished

far from pristine

but that doesn’t mean we are

striving to form a union that is perfect

We are striving to forge a union with purpose

To compose a country committed to all cultures, colors, characters and

conditions of man

And so we lift our gazes not to what stands between us

but what stands before us

We close the divide because we know, to put our future first,

we must first put our differences aside

We lay down our arms

so we can reach out our arms

to one another

We seek harm to none and harmony for all

Let the globe, if nothing else, say this is true:

That even as we grieved, we grew

That even as we hurt, we hoped

That even as we tired, we tried

That we’ll forever be tied together, victorious

Not because we will never again know defeat

but because we will never again sow division

Scripture tells us to envision

that everyone shall sit under their own vine and fig tree

And no one shall make them afraid

If we’re to live up to our own time

Then victory won’t lie in the blade

But in all the bridges we’ve made

That is the promised glade

The hill we climb

If only we dare…”

Dr. Desta Meghoo is a Jamaican born

Creative Consultant, Curator and cultural promoter based in Ethiopia since 2005. She also serves as Liaison to the AU for the Ghana based, Diaspora African Forum.

Teshale Alemu 

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Name: Teshale Alemu

Education: Degree in Accounting and Finance

Company name: Floret Chicken

Title: Owner

Founded in: 2014

What it does: Sell chicken and chicken products

HQ: Hawassa

Number of employees:5

Startup Capital: 130,000 birr    

Current capital: Growing 

Reasons for starting the business: My interest on animals and to generate income

Biggest perk of ownership: Hard working

Biggest strength: Hard worker

Biggest challenging: Capital and technologies

Plan: Start exporting and expand my business

First career: Accountant

Most interested in meeting: Emperor Hailesilassie

Most admired person: My father  

Stress reducer: Working

Favorite past time: Cooking

Favorite book: Thinking Fast and Slow

Favorite destination: Anywhere in Africa

Favorite automobile: Mercedes  Benz