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How to build a Temple

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Known for illusory and powerful works, Alessia Rollo is one of the most remarkable photographers in the Italian and international photography scene of the moment. Alessia Rollo’s ‘How to build a Temple; How to build the true’ art exhibition was opened on Thursday April 18 at the Italian Cultural Institute for visitors. The photo exhibition concentrate on the story of Queen of Sheba and King Salomon integrating the personal connection she had with Ethiopia and her experience in the country. Her last photographic series “Fata Morgana” is composed of conceptual works but in other hand can be documentary works focused on Immigration issues.
She said “I work with photography since 2009 and my projects investigate quite always the relationship between objects, human habits and society. I mix up really different photographic languages and category because I believe there is not a unique point of view to tell the reality and I prefer to make it clean in my practice thought the fragmentation of my photographic vision.”
“I started taking pictures when I moved to Ireland after University. At the time my English was quite bad, so I could not speak that much with people: I was wondering I could get familiar with a new country and communicate my sensations. I remembered I have a simple film camera with me, a present from my friends for my degree. I started to take pictures of the places I was going: I took the camera with me when I felt alone and I discovered that camera is a great friend and a way to know a bit more about yourself.
Alessia Rollo is born in South Italy in 1982. She received her BA at University in Perugia and she is crossing her MA in Publishing at University Statale in Milan.
She also obtained a Master in “Creative Photography” in 2009 at EFTI school in Madrid and participated to many workshops with international artist as Peter Funch, Mauricio Alejo, Danis Darzacq, Jill Greenberg, Matt Siber, James Casebere, Mary Hellen Mark.
She participated in solo and group exhibitions in Spain, Italy and Brazil.
Her project Fata Morgana has been selected in the finalist group for LensCulture Exposure Award 2018 and exhibited during Photo London 2018: she was selected by PHotoEspaña as emergent talent 2018 for Futures Photography. Her project “Dialoghi italiani” is one of the finalist works at Cormos Book Award 2018 at Arles.

Bringing the world’s hotels here

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Ten years ago Yonas Moges and Neway Birhanu founded Calibra Hospitality Consultancy to meet what they saw as an unmet need in the market. After gaining experience as part of the Hilton Addis Ababa managerial team they decided to create a business that would give advice to hotel owners and brand operators. They wanted to bring Ethiopia’s hotel experience up to international standards. Thanks to Calibra’s efforts there are over 25 brand name hotels in the country. Twenty years ago there were only two. Calibra has also brought in the South African based chain steakhouse Spurs to Addis Ababa. Calibra persuaded the African Hospitality Investment Forum (AHIF) to come here in 2015. It was the first time they held their event in sub-Saharan Africa. Neway Birhanu, the Managing Director of Calibra Hospitality Consultancy and Business PLC sat down with Capital to discuss Ethiopia’s hospitality industry.

 

Capital: How did Calibra hospitality consultancy begin?
Neway Birhanu: Calibra is the result of close observations. We saw gaps in the Ethiopian hotel industry. Working as part of the high level management team at the Hilton Addis Ababa exposed me to a real understanding of the hotel sector. I started Calibra with the goal of approaching local investors to open up international brand hotels by providing professional advising. At first, the hotel industry was not widely known. Even the government at the time did not have an awareness about the sector.
Capital: How has Calibra contributed to the Ethiopian hospitality industry?
Neway: We can see it in several ways; Calibra Hospitality Consultancy is an eye opener in hotel consultancy services. This allows the Ethiopian business people to invest in the sector. We work with international hotel brands. Calibra collaborates with the investor, from deciding on the hotel through the negotiation process.

Capital: How would you evaluate your journey so far? Do you think Calibra has been successful?
Neway: Definitely yes, you know when Calibra began operation back in 2011; there were only two international brand hotels. After we engaged ourselves in the industry and worked with local hotel developers, Calibra managed to bring more than 25 international brand hotels. Some are already open for business while others are waiting for foreign currency. This is a huge success for the industry and the country. Calibra also successfully brought the African Hospitality Investment Forum (AHIF) to Addis Ababa. AHIF was held four years ago in Addis Ababa for the first time making Calibra instrumental to the growth of hospitality industry in Ethiopia.

Capital: What does AHIF do?
Neway: AHIF is a continental event in the hospitality industry. It’s just like an economic forum for the hospitality industry. It’s an event where policy makers, CEO’s of huge private companies, investors, finical institutions, project management companies, consultants and high level government officials meet to consult and decide on the fate of the hospitality industry. It’s a conference where more than 700 hundred participants all over the world will stay for three days, which has its own advantage for foreign currency gain.

Capital: What are the challenges in Ethiopian hospitality industry?
Neway: Access to land. For any hotel developer the size and location of land is pertinent; professionals in the city’s land administration should consult stakeholders in the area while they are preparing a local development plan (LDP) as it goes with ratings and other standards. We also need to improve human capital. Hotel professionals graduating from colleges and universities are performing at an entry level so we should pay attention to this sector as Ethiopia is growing in the hospitality industry. The other area may be access to finance there are hotel developers who wait for foreign currency to finalize some of the international branded hotels.

Capital: Access to finance is one of the challenges hotel developers face. Does your company do anything to solve this?
Neway: Calibra does its part to find financial access for some hotel developers. We have acquired over 100 million USD from international financial institutions such as International Financial institutions (IFC) for construction.

Capital: Why has the forum returned after years of absence? Is that related to the instability in the country?
Neway: No! It has nothing to do with that. AHIF is a big event for the hospitality industry. I said earlier it’s just like the World Economic Forum for the hospitality industry. Therefore, other African countries ask to host the event as they know the impact and return for their country. After we hosted AHIF in 2014, Rwanda, and Kenya were lobbying.

EU Endeavours to Bridge People through Art

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Convinced of the power of art to unite, the EU Delegation to the African Union is organising a series of activities bringing together culture shapers from across Europe and Africa.
‘MAISHA – Afro-European Music Experiment’ will kick off on 25 April 2019 with 12 musicians with 10 different European and African nationalities. Throughout a two-week residency in Addis Ababa, the artists will co-create original musical pieces, give workshops at local music schools and record an LP. Samuel Yirga from Ethiopia, Maryll Abbas from France, and Cherif Soumano from Mali are among the artists that will take part.
The public will be able to enjoy the results of the residency during a live concert at the Ethiopian National Theatre on 9 May 2019 (the Europe Day).
“This experiment is a clear demonstration of art being a bridge between different cultures. It is my hope that MAISHA will inspire more partnerships between Europe’s and Africa’s creative industries,” Ranieri Sabatucci, the EU Ambassador to the AU, says.
Following ‘MAISHA’, ‘Africa-Europe Creatives Connect’ will take place on 10 May, 2019. This one-day networking event will bring to Addis Ababa six accomplished European and African creatives to share their experiences with local talents. In hopes of inspiring the growing creative industry in the city, they will discuss important facets of art as it relates to social impact, authenticity, innovation and entrepreneurship. Film director Zeresenay Mehari from Ethiopia, sculptor Nynke Koster from The Netherlands and fashion designer Safietou Seck from Senegal are some of the creatives who will be speaking.

Condolence message to French people

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By Haile-Gebriel Endeshaw

Dear people of France, I am writing this message with broken heart regarding the sudden accident occurred last Monday on one of the world religious heritages, Notre-Dame Cathedral. It was really horrifying to see the 850 years old Cathedral being gutted by fire. I know you were crying and lamenting that the national treasure was being lost in no time. I tell you that I watched the incident on television with eyes moistened with tears. I felt that this planet was losing a big religious heritage… It was really upsetting to see in particular the spike falling down being scorched by the fire.
I feel that the demolition of Notre-Dame will also cause the ruining of a number of artworks cautiously placed in it. It is a big loss not only for the French people but also for all other nations across the world. I agree with what New York Times said last Monday that Notre-Dame “is a landmark not only for Paris, where it squats firmly yet gracefully at its very center, but for all the world”. As a Muslim man said, the damage done on the cathedral is a sad incident not only for people of France but also for other nations. “I am a Muslim but I’m still very moved when I see this place… It represents something deep… It’s a loss, not only for France but for the entire world. It’s as if the Pyramids in Egypt were destroyed”.
If the horrible fire had not been controlled, it would have been very heart-rending occasion not to save the Holy Crown of thorns which is believed to have been worn by Christ before His crucifixion including a linen-fabric associated with Saint Louis. It would have really been painful not to see in the cathedral many treasures that include a “17th century organ with all its parts still functional”. However, thanks to God and you in general and the 500 members of the fire departments in particular, these wonderful relics were saved from the horrible fire.
Yes, as it is said by many historians, scholars and reporters, Notre-Dame Cathedral is one of the world’s most recognizable landmarks and has been immortalized in literary works such as Victor Hugo’s “The Hunchback of Notre-Dame” or the French “Notre-Dame de Paris”. According to the New York Times (April 15, 2019), Notre-Dame Cathedral, “the symbol of the beauty and history of Paris”, is visited by 30,000 tourists and pilgrims a day. History tells us that England’s King Henry VI was crowned King of France in the cathedral in 1431, and Napoleon-I had his coronation as Emperor there in 1804. This is wonderful!
I realized from my readings that the artefact, Notre-Dame, endured many challenges. It survived many attacks and experienced threats of extremists. Particularly the November 2015 attacks which left 147 people dead and the massive explosives discovered in a vehicle parked near the Cathedral are the unforgettable occurrences, among others.
Dear French people, we remember that the fire accident occurred a month after the official visit of your president to my country, Ethiopia. During his short stay here, President Emmanuel Macron had a chance to visit one of our national relics, the rock-hewn church Lalibela, a religious heritage registered by UNESCO. What surprises me and many others here is that the rock-hewn church, Lalibela was built around 12-13th century. This means the two wonders of the world, Notre-Dame and Lalibela, are of the same age.
Available sources indicate that a jewel of medieval Gothic architecture, Notre-Dame, was built in the 12th and 13th centuries. The 223-foot-high towers were erected between 1210 and 1250, and the church was officially completed in 1345.” It took 200 years to complete the entire works of the cathedral. Similarly, documented history retells that King Lalibela of Ethiopia built the rock-hewn church, Lalibela (named after the king), between the 12th and 13th centuries. What a coincidence!
Now after 800 years, Lalibela is in danger of collapse. It is now in the status of needing refurbishment. Taking this in to consideration, President Macron pledged to support the renovation; and of course, we witnessed about the visiting team of French experts which was here to assess how the maintenance work could be conducted. I should seize this opportunity to extend my appreciation for the kindness of the French government and people to support the restoration of this cultural and religious heritage of Ethiopians.
Dear people of France, though my country is facing an enormous problem, I should take time to give condolence to you on the misfortune befallen you. We Ethiopians are devastatingly worried about the unprecedented man-made ethnic conflicts that have been causing massive internal displacements. We are bewildered by political uncertainty and inter-party squabbles. We are being scorched by ethnic politics that caused disasters to many countries across the world. I am afraid we might be descending in to chaos. The international community will never forget the massacre in the little African country, Rwanda. Over 800,000 people were butchered in that country for the very reason of ethnic politics and racism… Unless our political leaders stop this political lunacy, we might face bigger problems.
Dear people of France, though we are in such situation, I don’t want to pass a day without consoling you over the misfortune happened on the world’s wonderful relic. Remember the old saying, ‘fire is a good servant, but a bad master’. I have verified this over the recent incidents occurred here in my country. Dear brothers and sisters, we Ethiopians have witnessed sordid destructions of the bad master on two of our famous national parks, which have been recognized by UNESCO.
As you can read in the web site, our Bale Mountains National Park is an important area for several threatened Ethiopian endemic species. These include Ethiopian wolf (Canis simensis), Mountain Nyala (Tragelaphus buxtoni), big-headed African mole-rat, bushbuck, common duiker, klipspringer, Bohor reedbuck, warthog, spotted hyaena and the Bale Mountains vervet (Chlorocebus djamdjamensis). These endemic species have been damaged by the bad master, fire. The second highest point in our country, mount Tullu Dimtu, (4,377 meters above sea level) is found in this National Park. The other park is named Semien National Park. It is of global significance for biodiversity conservation because it is a home to globally threatened species like Gelada Baboon (Theropithecus gelada), the Semien Fox (Canis simensis) and the iconic Walia Ibex (Capra walie), which is found nowhere else in the world. The highest mountain in Ethiopia, Ras Dashen (4,620 meters above sea level) is also located in this Park. By the way, I should extend my heartfelt appreciation to the government of Israel and Kenya for sending their fire fighters along with a helicopter to stop the horrible fire in the Semein National Park.
Yes, though this is the saddest moment for Ethiopia, I should come forward to give my condole to friendly people like you. I hope with your diligence; the damaged cathedral will soon be restored. I personally feel that this is the day when we all must turn our face to our creator, the Almighty God. We should plead with Him to deliver us from annihilation. We should plead with Him to turn his gracious face to us, His children who are wallowing in sin.

The writer can be reached at gizaw.haile@yahoo.com