The Cape Town Art Fair – which has been re-named as The Investec Cape Town Art Fair (ICTAF) – is on from Friday, February 16 to Sunday February 18 between 11am and 7pm in the Cape Town International Convention Centre.
There is an entrance fee but once you are in, you are in: walkabouts, talks and performance art works are included with the ticket at no further charge. An exciting innovation this year is a new event: Harboured – in the Silo District, at V&A Waterfront. Films “exploring mythologies, ideologies and histories between safe and unsafe harbours” will be screened in shipping containers in the Silo precinct. There is no charge to attend.
Harboured is part of the The After Hours Hub – a platform of satellite events which are part of ICTAF but taking place off-site from the CTCC.
Harboured is also the headline attraction of the After Hours Hub and starts on the Wednesday before the fair (February 14 at 8pm). This is an art-inspired Valentine’s Day date night. Harboured runs every day until the end of ICTAF on February 18, from 4pm-11pm.
Curator of Harboured is Brent Meistre. An artist and curator, he heads up Analogue Eye – a not-for-profit project which screens video art works in public spaces.
Meistre explained how Harboured will roll out: “There are a 13 works by 11 artists from South Africa and Italy.
“There are three containers and a range of works in each container. The short film format works will each have their own containers and the shorter length works will be screened consecutively in their own containers.
“The public are encouraged to move from one container to another, where different types of works may be engaged with. The Analogue Eye project is focused on getting filmic works into public spaces where the viewers not only engage the works but also each other.”
Nontobeko Ntombela has been appointed as the curator of the inaugural iteration of Solo, working alongside Fair Curator Tumelo Mosaka and the ICTAF team. Solo will focus on the production of women artists, offering different perspectives of the widespread socio-political issues faced by women in both public and private spheres, while also highlighting their contribution to the art world.
Artists who will be showcased in the section are Maïmouna Guerresi (Senegal/Italy) represented by Officine dell’Immagine (Milan, Italy); Pamela Phatsimo Sunstrum (Botswana) represented by Tiwani Contemporary (London, United Kingdom); Stacey Gillian Abe (Uganda) represented by Afriart Gallery (Kampala, Uganda); Parul Thacker (India) represented by Amar Gallery (London, United Kingdom); Keyezua (Angola) represented by MOV’ART (Luanda, Angola); Lhola Amira (South Africa) represented by SMAC (Stellenbosch, Cape Town and Johannesburg, South Africa); Lucinda Mudge (South Africa) represented by Everard Read Circa Gallery (Cape Town, Johannesburg and Franschhoek, South Africa, London UK); Kimathi ct tottMafafo (South Africa) represented by Ebony/Curated (Cape Town, South Africa); Ingrid Bolton (South Africa) represented by Berman Contemporary (Johannesburg, South Africa); and Buhlebezwe Siwani (South Africa) represented by WHATIFTHEWORLD (Cape Town and Johannesburg, South Africa).
(IOL)
Investec Cape Town Art Fair on this weekend
Kenyatta’s grand plan to silence Kenya’s free press
Since coming to power, Kenyatta has tried to control the media through co-optation or force. The shut down of TV stations is his latest move.
In a move that has exposed Kenya’s fragile democracy, the government recently shut down the country’s three biggest TV stations.
This unprecedented, unlawful and panicked response was supposed to ensure that there was no live coverage of the mock swearing in of the National Super Alliance (NASA) opposition leader Raila Odinga as the “People’s President”. The government outlawed the 30 January event and threatened to charge Odinga with treason.
NASA has refused to recognise Uhuru Kenyatta as Kenya’s legitimate president after he won the repeat presidential election last October. The re-run was held after the Supreme Court annulled the first poll in August. NASA insists it won the August election and boycotted the second poll.
The media shutdown has been condemned by rights groups, politicians, the public and international actors. Not since former President Daniel Arap Moi’s tyrannical rule has a government been so brazen in its disregard for rule of law.
However, while especially alarming, Kenyatta’s latest actions did not come out of nowhere. They are the culmination of a long-running and vindictive campaign against the media that began when he first came to power.
Centralising power
Kenyatta’s clampdown was not entirely unexpected. Since becoming president in 2013, his consolidation of political power has been ruthless. He has established a political system in which there is no clear distinction between the ruling Jubilee Party and the state. The police have been militarised and alternative centres of political power, both within the government and in the opposition, are being dismantled.
Like his father Jomo in the 1970s and Moi in the 1980s, Kenyatta is slowly embodying the image of a dictator through a combination of co-opting Kenya’s wealthy economic and political class, and brute force.
Having won the 2013 elections in a controversial victory made possible through the support of a number of smaller political parties, Kenyatta later insisted on their dissolution and the formation of one umbrella party in Jubilee. He then became the party leader. Where he previously had to navigate the interests of various parties to implement his agenda, he can now make unilateral decisions with minimum opposition.
Kenyatta’s media strategy
In his attempts to consolidate his power, Kenyatta has also targeted the press. Kenya boasts a relatively robust media with over 60 TV stations, more than 130 radio stations, and several newspaper titles. But the industry is dominated by three big players: the Nation Media Group, Standard Group, and Royal Media Services. They own NTV, KTN and Citizen, respectively – the three TV stations recently shut down.
At the same time, Kenyatta has invested massively in Mediamax, his family’s media company which owns several radio stations, a television station and a national newspaper.
He has also attempted to co-opt sections of the mainstream media. Soon after his inauguration in 2013, he invited some of the country’s top editors and journalists to State House for a “breakfast meeting”. This, he said, was to open a new chapter in “press-state” relations. The much criticised invitation was quickly repaid with sympathetic and sycophantic media coverage of the government. A few high-level journalists were offered plum state jobs.
However, some sections of the press refused to play ball and the public turned against what was gradually becoming a pliant media. Soon after that, the honeymoon ended and the media clampdown began in earnest. Just one year after becoming president, editors and media managers started getting routine summons to State House. Kenyatta even had the gumption to warn journalists on World Freedom Day in 2014 that they did not have absolute freedom on what to publish or broadcast.
Last April, the government decided to stop advertising in local commercial media. State departments and agencies were directed to advertise in the government newspaper and online portal My.Gov. While it claimed this was to curb runaway spending, it was clear the decision was aimed at starving the mainstream media of advertising revenue. This move came not long after Denis Galava, a top Kenyan journalist and editor at the Nation Media Group, was sacked for writing a scathing editorial about the President.
More recently, the deputy president’s spokesperson threatened a journalist with firing following a news report that claimed the president and his deputy had disagreed over cabinet appointments. Meanwhile, just days before Odinga’s “swearing in”, Linus Kaikai, chairman of the Kenya Editors Guild, claimed that a number of editors and media managers had been summoned to State House and given a dressing down by the president, threatening to revoke the licences of those who broadcast the event live.
Kaikai and fellow Nation journalists Larry Madowo and Ken Mujungu have since been threatened with arrest. They had to go to court to obtain anticipatory bail to bar police from arresting them.
Ominous signs
With both houses of Parliament dominated by the ruling Jubilee Party, civil society weakened, and opposition leaders lacking the capacity to meaningfully confront the government, Kenya’s mainstream media remains a rare bulwark against the country’s descent to authoritarianism.
But there are increasingly ominous signs that Kenyatta is on a mission to silence the press as he consolidates his power. These latest events and government’s brazen decision to disobey the court order directing it to end the media shutdown only further shows its disdain for the law and press freedoms.
This article was originally published on The Conversation. Read the original article.
BY GEORGE OGOLA
Second historical Ras Abebe Aregay home demolished
A second historical home belonging to Ras Abebe Aregay was demolished only weeks after Muller Real Estate destroyed one of his other homes. The home was 2,000sqm and, like the first one, was located in Adwa square near Aware. It was seventy years old. This means that only one of the three homes listed as historical sites by the Addis Ababa Cultural and Tourism Bureau remain.
The excavator tore down the historical heritage last Friday at 8pm by the owner of the home, a church who wanted to replace it with a G+14 story building. Eye witness told Capital the entire process took 30 minutes.
“The excavator came at night and demolished the old house with no pity in their heart,” one person said.
Konjit, the wife of Ras Abebe lived in the home. It was later sold to a businessperson and then to the church for 1.2 million birr 20 years ago.
Recently Capital reported that the Addis Ababa Cultural and Tourism Bureau planned to file charges against Muller Real Estate for demolishing the first historical Ras Abebe Aregay home.
It was listed as one of the 440 historical houses in the City’s master plan. It sits on 1,800sqm and was constructed 70 years ago, and was used as a residence for Ras Abebe Aregay and his families.
Under the current heritage proclamation in Ethiopia if somebody illegally demolishes a heritage site they may face up to 10 years imprisonment plus a fine.
Ras Abebe Aregay was a major leader of the resistance in Shewa against the Italians during the fascist occupation, and leader of the largest anti-occupation force in Ethiopia. Abebe Aregay was the grandchild of Menelik II’s loyal General Ras Gobena Dachi. As Balambaras Abebe Aregay, he had been commander of Addis Ababa’s metropolitan police before the 1936 occupation of the capital. After the Emperor’s departure and the Italian occupation, the then Balambaras Abebe Aregay was proclaimed a son of Lij Iyasu at Amba Aradam as Emperor Meleke Tsehai in 1938, and was given the title of Ras. However the young claimant died of an illness soon after, and Abebe Aregay returned to supporting the restoration of Emperor Haile Selassie. Emperor Haile Selassie again granted him the title of Ras legitimately, and he was among the guerilla leaders that escorted the Emperor back into Addis Ababa on Liberation Day, May 5, 1941. Ras Abebe served as governor general of Shewa, governor general of Tigrai, Minister of Defense, Minister of the Interior, Crown Councilor and Senator at various times. He was killed during the Imperial Guard coup attempt of 1960 and was buried at Debre Libanos Monastery.
Djibouti to construct three new ports
Djibouti that inaugurated three new ports last year is going to launch the construction of another new three ports this month.
The logistics hub that is the main gateway for the land locked Ethiopia is going to commence the construction of different ports along the coast lines of the outskirt of the capital Djibouti city and Damerjog on the aim to expand its port handling capacity, which has now upper hand in the region.
Recently on the meeting held by the Ethiopian Maritime Affairs Authority and Djibouti Ports and Free Zones Authority (DPFZA) here in Addis Ababa Aboubaker Omar Hadi, Chairman of DPFZA, told Ethiopian media that the country is going to commence the construction of new additional ports that will be finalised in different phases.
“In the last 13 months we have opened three new ports. We are now planning by the end of this month to start the construction of additional three ports in different location in the country,” the chairman said.
He added that the investment cost is going to be in several phases but the initial investment would be about half a billion USD for the projects.
As one of the upcoming projects Djibouti International Container Terminal is main project that would boost the country’s exclusive container port terminal facility by additional container terminal from the current Doraleh Container Terminal.
The total investment of Djibouti International Container Terminal may cost USD 654 million and will be erected between Doraleh Container Terminal and the recently inaugurated Multi-Purpose Port (DMP) with natural water depth of 18.5m.
The upcoming additional container will have a capacity of 2.5 million TEU containers on the first phase.
The other project that is expected to be launched in the current month is the construction of Ship Repair and Drydocks, which will consume USD 200 million, according to the document Capital obtained from DPFZA.
Djibouti Damerjog Industries Development (DDID) is also the other huge project that the Djibouti government planned to undertake in the near future.
The DDID project will have a multipurpose port, livestock terminal, a refinery, storage tanks, dry dock, gas complex and its jetty, and jetty for refined and crude oil.
Few years back Djibouti has been targeting to construct the livestock port at Damerjog, a place that is close to the border of Somaliland in the south of Djibouti, but it has been revised with additional huge and massive development facilities.
As per the plan the DDID will have a multipurpose port that shall accommodate all kind of cargos including bulk and containerized. The livestock port that targeted to solve the claim of livestock exporters from Ethiopia will be constructed on the aim to boost and modernize the cattle export of Ethiopia.
At the same time the complex port and additional facilities will also include several projects that are directly related with the natural gas development and export from Ethiopia.


