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“Taxi Rimbaud” exhibition brings French Poet’s spirit and Ethiopian taxi culture to life

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The Alliance Ethio-Française played host to a unique artistic journey on May 17 with the opening of “Taxi Rimbaud: An Image in Motion,” a one-night-only exhibition by French artist Emmanuel Benoit. The event celebrated the life and legacy of legendary French poet Arthur Rimbaud, reimagined through the lens of Ethiopia’s vibrant taxi culture and contemporary art.

Arthur Rimbaud, born in 1854, is renowned for his poetic genius and restless spirit. After abandoning literature at the age of 21, he spent much of the 1880s in Harar, Ethiopia, chasing his dream of living intensely and exploring the unknown. It is this chapter of Rimbaud’s life that inspired Emmanuel Benoit, who first moved to Addis Ababa in 2016 and became captivated by the city’s iconic blue Lada taxis.

Benoit’s fascination with Rimbaud and Ethiopian urban life culminated in an ambitious project: pasting a reimagined, dynamic portrait of Rimbaud onto hundreds of Addis Ababa’s taxis, as well as the classic Peugeot 404 taxis of Harar. “I created a round, more dynamic image, slightly different from the iconic photograph taken by Carjat in 1871, and the idea was to keep the image in motion,” Benoit explained.

Returning to Ethiopia in 2023, Benoit took the project further by purchasing a Peugeot 404 taxi in Harar—an emblem of Ethiopian automotive history—and driving it across the country to Addis Ababa. This remarkable journey, echoing Rimbaud’s own expedition to Shoa in 1887 to meet Emperor Menelik at Entoto, became central to the exhibition.

“My exhibition is a unique opportunity to celebrate contemporary art, Ethiopian history, and the wonderful adventure of driving my Peugeot 404 taxi through the country’s breathtaking landscapes,” Benoit said in his exhibition statement. “This journey is a nod to Arthur Rimbaud’s expedition to Shoa in 1887 when he went to Entoto to meet Menelik. It took me three days in November 2024 to reach Entoto from Harar.”

The centerpiece of the exhibition was the very Peugeot 404 taxi that made the journey, transformed from a working vehicle into a striking art object. The event also featured a film shot on super 8, offering an artistic vision of the cross-country drive, and large-format photographs highlighting the elegant design of the Peugeot 404, styled by Italian designer Pininfarina.

“Taxi Rimbaud” invited visitors to reflect on the intersections of history, movement, and creativity—honoring both Ethiopia’s rich cultural tapestry and the enduring mystique of Arthur Rimbaud. The exhibition stood as a testament to the power of art to bridge continents and centuries, keeping the spirit of exploration and innovation very much in motion.

CEDHUL to host landmark festival celebrating African AI Cinema

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The Center for Digital Humanities at the University of Lagos (CEDHUL) has announced an exciting collaboration with Transhumanists Africa to host the inaugural Artificial Intelligence Short Film Festival (TA-AISFF). This festival, set to take place from November 21 to 23, 2025, will showcase a unique blend of African storytelling and cutting-edge technology, featuring both virtual and in-person events at CEDHUL’s innovative campus in Lagos.

The TA-AISFF aims to explore the theme “African Visions of African Futures,” inviting filmmakers, technologists, and creatives from across the continent and diaspora to envision how advancements in AI, robotics, genetics, and nanotechnology could shape Africa over the next 50 years.

CEDHUL will serve as the primary venue partner, providing essential technical infrastructure, promotional support, and fostering academic engagement. The festival is designed to be a vibrant and inclusive space, engaging a diverse array of Lagos’ creative and intellectual communities.

In a letter of commitment, CEDHUL expressed pride in hosting this significant event, stating, “We believe it aligns perfectly with our mission to foster innovation and interdisciplinary dialogue across Africa’s digital and cultural landscapes.”

The upcoming festival promises to be a transformative experience, celebrating the intersection of cinema, science, and speculative futures in Africa.

Shimjeon Foundation launches full scholarships for Ethiopian students to study in South Korea

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The Shimjeon Foundation, a leading South Korean educational charity, has announced a new initiative to grant five full scholarships to students from Ethiopia, enabling them to pursue undergraduate or graduate studies at Kangnam University in South Korea for up to five years.

The program, unveiled in a press release, is open to all Ethiopian students interested in studying in Korea, with priority given to descendants of Korean War veterans. The scholarship covers tuition, room and board, health insurance, and round-trip airfare. For those attending the Kangnam University-affiliated church, an additional monthly missionary stipend of $220 is available.

Founded in 2005 by Dr. Do-Han Yoon, the Shimjeon Foundation is dedicated to fostering global talent and international peace, and is recognized by the Korean Ministry of Foreign Affairs. Over the past two decades, the foundation has supported 118 international students from developing countries and 433 domestic students. The 2025 initiative is part of a broader effort to support 40 students from 16 nations that contributed troops to the Korean War.

Tackling Illicit Financial Flows: Africa’s Path to Reparatory Justice

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Antonio Pedro, the Deputy Executive Secretary of the Economic Commission for Africa (ECA), has said that Africa is experiencing significant losses, estimated at around $40 billion annually, due to illicit financial flows (IFFs) in the extractive sector. Such financial losses not only hinder developmental progress but also exacerbate economic injustices, depriving African populations of access to essential resources and underscoring the connection between IFFs and the pursuit of reparatory justice. He argued that IFFs in the extractive sector were one of the symptoms of a serious structural problem compounding Africa’s development, i.e. its excessive dependence on the export of raw materials, an extractivist model and construct inherited from colonial times. He  noted that exporting raw materials was exporting jobs, a luxury that the continent cannot afford given the need to create at least 20 millions jobs annually for the youth. As such, addressing IFFS and its root causes should be at the centre of Africa’s development policy and action.

Mr. Pedro was a panelist at the High-Level Policy Dialogue (HLPD) held on Friday, 30 May 2025, in New York, to draw the curtain on the month-long 2025 African Dialogue Series (ADS), on the theme, “Justice for Africans and People of African Descent Through Reparations.”  It was organised by the UN Office of the Special Adviser on Africa, and the AU Permanent Observer Mission to the UN, in collaboration with various UN agencies, including the ECA. The Africa Dialogue Series (ADS) is an annual event that brings together global leaders to discuss pressing issues impacting Africa and its diaspora, focused on the AU theme of the year.