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Exclusion from Investment Code Identified as Main Obstacle to Ethiopia’s Creative Industry

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Stakeholders say the main obstacle facing Ethiopia’s cultural and creative industries is not a lack of government funding, but the sector’s exclusion from the national investment code.

They argue that although the industry has strong potential to generate foreign exchange and create jobs, the absence of legal recognition within the country’s commercial framework has prevented the creative economy from emerging as a standalone driver of growth.

The issue was raised when Selam Ethiopia handed over a five-year study under the continental Connect for Culture Africa project to a government executive body. The study is intended to support the implementation of an African commitment that calls on member states to allocate at least 1 percent of their annual budgets to culture and the arts.

According to the findings, the culture and arts sector is not only a source of entertainment but also an important contributor to national development and employment creation.

Sisay Mengiste, program director of Selam Ethiopia, said the organization has worked with federal and regional stakeholders for 21 years. He said the study would serve as a baseline for Ethiopia’s efforts to meet its continental commitment to fund the sector.

Hirut Kassa, head of the Addis Ababa Culture and Arts Bureau, said treating art, film and crafts under the same regulatory system as ordinary commodity trade has slowed the sector’s growth. She said the creative industry has its own operating procedures and commercial realities, and that the main problem is its exclusion from the investment code.

Officials said the government’s current role is largely limited to building infrastructure, training and policy formulation. In Addis Ababa, major cultural facilities such as the Adwa Memorial, regional theaters and cinema complexes have been built with public funds.

However, they said relying only on a fixed 1 percent budget allocation is not a sustainable solution. Instead, they argued that reforming policy to attract private investment should be the priority.

The presentation was attended by members of the House of Peoples’ Representatives Standing Committee, officials from the Ministry of Finance and the Planning and Development Commission, as well as representatives from universities and professional associations. Organizers said the goal was to help relevant institutions better understand the sector’s needs ahead of the Ministry of Culture’s budget discussions.

Nafisa Al-Mahdi, state minister of culture and language development at the Ministry of Culture and Sports, said culture and the arts are not only expressions of national identity but also pillars of the economy.

“When we talk about culture and arts, we are talking about national development,” she said. “In the past, the sector was seen only as entertainment, but the government is now giving it due attention, preparing policy frameworks and implementing them on the ground.”

She added that the sector’s economic value has not been sufficiently supported by research, particularly in terms of verified data on employment by gender and age. She said the new study helps fill that gap.

Among the eight studies presented were Baseline Study and Actor Mapping for Public Investment in Ethiopia’s Culture Sector, Market Survey Report: Music Industry in Addis Ababa, and The Role of Arts and Culture in Peacebuilding in Ethiopia.

“Resilience and Inclusion” Art Exhibition opens for World Refugee Day

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An art exhibition themed “Resilience and Inclusion” opened today at the Modern Art Museum’s Gebrekristos Desta Center in Addis Ababa to mark World Refugee Day 2026.

The group exhibition features works by seven refugee artists — five men and two women — from Eritrea, Somalia, Sudan, the Democratic Republic of Congo and Iraq.

Through paintings and other creative pieces, the artists reflect on life in exile, their hopes for the future and the resilience required to rebuild their lives.

Organizers said the exhibition aims to highlight the importance of refugees’ socio-cultural and economic inclusion while also creating a space for dialogue and mutual understanding. They said the artworks amplify refugee voices and underscore the role refugees play in the community.

The exhibition was jointly organized by several partner organizations working on refugee protection and support. It opened on Friday, June 19, and will remain on public display until June 21, 2026, at the Gebrekristos Desta Center in the compound of Addis Ababa University’s College of Business and Economics.

The opening ceremony was attended by art enthusiasts, refugee advocates and representatives of various institutions.

Matchday in the App Economy: How Football Fans Follow Odds and Stats in One Place

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A football match used to live in a few places at once. The game was on television, the score was on a radio update, the league table was in the newspaper, and the argument about team selection happened somewhere else entirely. Now most of that sits on one screen. A fan can check the line-up, watch the match clock, follow live stats, compare odds and read the latest match notes without leaving the app environment.

That shift explains why online sports betting has become part of a wider app economy rather than a separate matchday habit. A guide on how to bet on Betway fits into that world because newer users often want to understand the route before placing a sports bet, from reading the market to checking the selection panel and confirming the action.

The value is not only in the odds. It is in how clearly the screen explains each step.

Matchday Has Become a Live Data Screen

Football is not always loud on the scoreboard. A match can sit at 0-0 while one side is slowly taking control through corners, shots, pressing and possession. That becomes even more interesting during the 2026 FIFA World Cup, where one quiet spell can decide a group table, change the mood around a favourite or give an underdog the confidence to stay in the game. That is why stats now matter so much to the way fans read football. They help explain what the eye already suspects, especially when pressure is building but the goal has not arrived yet.

Sports betting platforms use live data feeds to keep those details moving. Events such as shots, fouls, cards, substitutions and corners are collected, checked and pushed into the app quickly. The tech has to work quietly, because fans only notice it when something feels late, frozen or wrong. On a busy football night, that means servers, data providers and interface systems all need to stay in step.

Why Betting Apps Need Clean Design

The hard part for betting apps is not simply showing more information. It is showing enough without turning the screen into a wall of numbers. A fan may want match stats, odds, account balance, open selections and confirmation details, but not all with the same weight at the same time.

That is where app design becomes part of the betting experience. Clear tabs, readable odds, fast search, simple market groups and a calm confirmation screen help users understand what they are doing. Betway and other major sports betting apps have to think about this carefully, because a match can move faster than the menu if the tech is not built well.

Betway’s mobile sports betting also sits inside broader tech trends. Fans expect fast loading, fewer dead screens, smooth account tools and live markets that update without making the app feel jumpy. The best online betting systems are not only about adding features. They are about making those features behave properly when the match is moving.

The Tech Behind the Tap

Behind a simple tap, there is a longer chain. The app reads the market, checks the latest price, confirms the account position, records the selection and updates the user’s history. If the market changes during that moment, the app has to make that clear rather than letting confusion creep in.

This is why tech matters so much in modern betting. Football fans are not just opening an app to see a number. They are using a live service that combines stats, odds, payments, security and match information in one place. On matchday, the strongest apps feel useful because they respect the speed of the game without making the user feel rushed.

REQUEST FOR PROPOSALS FOR

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REHABILITATION/RECONSTRUCTION OF WASH FACILITIES FOR 8 SCHOOLS IN THE TIGRAY REGION

 LRFP-2026-9204518

Topic- UNICEF (Ethiopia) wishes to request eligible bidders to participate in a Request for Proposal (LRFP) for Rehabilitation/Reconstruction of Wash Facilities For 8 Schools in The Tigray Region

Details of this bid’s requirements and eligibility criteria can be found in the bid document.

Interested and eligible bidders can get the bid document with the below links;

2merkato.com https://tender.2merkato.com/tenders/6a324eb30a538a5d9c000001

Any query or clarification regarding this bid shall be sent through an email to

 eth-supplyQAconstruction@unicef.org before or on 11:00AM on 3 July 2026. There will be a pre-bid meeting on 24 June 2026 @ 3:00 PM. Bid clarification will be communicated on the same website at 2merkato.com to the public.  While sending your request for clarification, please ensure that you specify the RFP number in the subject of your email, and provide the name of your company and contact person.

The due date for submission of proposals/Bids to the UNICEF Addis Ababa Office is on or before 11:59 PM (East African Time) on 07 July 2026.  Please read the LRFP for detailed requirements and due dates.

Please quote the respective RFP (request for proposal) number together with the Project title:

Rehabilitation/RECONSTRUCTION OF WASH FACILITIES FOR 8 SCHOOLS IN THE TIGRAY REGION

Submission of bids should be done as per the below requirements.

a) Technical bid submission should be with a separate email from the Financial bid submission

b) RFP reference and whether Technical or Financial submission should be indicated on the Subject of the email.

c) ONLY email submissions are acceptable. d) To reduce the risk of late delivery emails should be sent in good time before the deadline of the bid submission.