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Does GERD Negatively Affect Egypt & Sudan?

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Since the commencement of construction of the Grand Ethiopian Renaissance Dam (GERD) in April 2012, voices are heard from downstream countries particularly from Egypt citing the project as a source of water insecurity to their country. Mixed voices are also heard from Sudan outlining benefits and adverse impacts. In recent years, as the construction registered discernible progress, the intensity of the voices and the diplomatic maneuvering is intensifying catering even out of basin nations such as the Arab League. From Egypt, just like we heard it during the times of presidents Sadat and Mursi, we are used to hearing from various outlets about the bragging on the military option. We are also witnessing joint military exercise with the Sudan including the buzz phrase ‘all options are open’.
Does Egypt face a real threat due to GERD or is it only for domestic political consumption that they are using these exercises and cliché phrases? What are their substantive reasons to threaten Ethiopia? Do Egypt and Sudan have enough wherewithals to leverage neighbors outside the basin?
In order to arrive at a clear understanding, one has to take into account technical, political, economic and geostrategic considerations of the basin and beyond. While this approach calls for a multidisciplinary analysis involving specialists from specific fields of specialization, it is however possible to highlight the facts starting from the technical and at least tangentially touching the economic, political and geostrategic issues.
Water use
For millennia, Nile has been the source of civilization in the basin. Lower riparian countries of the Nile; Egypt & Sudan; have been almost exclusively using the waters of the Nile for both consumptive and non-consumptive purposes. As the reader may be aware, consumptive use as its name indicates is for consumption such as drinking, irrigation and industrial use. The non-consumptive use involves navigation, hydroelectric power generation, recreational attraction and tourism.
By leaving a relatively small share to the Sudan, Egypt’s hegemony on the Nile is always pervasive even when it was colonized by every rising powerful empire in history. Presently, to legitimize its monopolistic water use, Egypt hinges its arguments on two agreements: 1929 and 1959. The architect of the 1929 Nile water agreement is colonial master Great Britain while all upper riparian countries (Ethiopia being the exception) were under its occupation. On the other hand, the 1959 agreement is a bilateral agreement between Sudan and Egypt allocating the lion’s share (55.5bm3) to Egypt, 18.5bm3 to the Sudan, 10bm3 for evaporation and none to the upper riparian countries. Ethiopia, the contributor of 86% of the Nile flow, was not a signatory to these legally farcical and lopsided agreements.
In recent years, upper riparian countries particularly Ethiopia has been pushing forward for the equitable utilization of the Nile. The explosive population growth, the need to attract investment and create jobs, the pervasive poverty, the urgent need to connect tens of millions to the national electric grid are few among the driving forces. Riparian countries of the basin have been negotiating and identifying common projects through the Nile Basin Initiative. Despite of its good intentions, the Initiative could not move fast forward mainly due to the resistance and delaying tactics of lower riparian countries. Under the prevailing circumstances, Ethiopia has gone its own ways of water based development emphasizing on hydropower projects.
The hydraulics of hydropower
In simple technical expression, a hydroelectric power plant consists of water from a higher ground with potential energy is guided to flow with speed thereby changing into kinetic energy. The flowing water (kinetic energy) rotates the turbines which in turn underpin the interconnected generating sets to produce electrical energy. Once the water turns the turbines, it flows out and follows its course downstream.
A layman to the field of engineering may ask why storing water in a big dam like GERD when the process is as simplified as described here above. The answer to the question is as simple as understanding the natural water cycle of water. The distribution of rainfall and the subsequent runoff that flows into rivers is both temporally and spatially erratic. In Ethiopia, heavy rains shower for three months and the rest of the year is dry and windy with only the base flow from the streams.
In order to have a dependable power generation, the flow of the water has to be predictable and remain regulated. One and the only option to do so is to temporarily store the excess water in the rainy season for use during the water deficient dry season. Practically therefore, constructing a dam for water storage comes to being and the stored water is directed to flow downstream via the power house. From this simplified expression, one can arrive at the conclusion that GERD is nothing more than a temporary detention tank; a typical non-consumptive use of water.
Benefits and possible ill-effects
The direct and indirect benefits of GERD to Ethiopia are quite enormous to enumerate. For anyone who cares to objectively observe and evaluate, the benefits that GERD avails to Sudan and Egypt are strikingly remarkable. The regulated flow of the Blue Nile saves Sudanese families from displacement, loss of life, outbreak of diseases from receding floods and crop devastation just like it is happening right this time. GERD relieve Dams in both Egypt and Sudan from the overwhelming silt load that critically shortens the life span and water storage capacity of their dams. Another advantage is related to increments in water volume. Storing water in the deep gorges of Ethiopia reduces the otherwise large evaporation loss in the desert at the expanse Lake Nasir in Egypt in leaps and bounds. Securing Green energy through grid connection of the three countries is the other windfall the two countries can sources from Ethiopia.
Without resorting to other benefits, the reader is kindly requested to evaluate the mentioned benefits lower riparian countries are going to acquire without investing a coin on GERD. Regrettably, Sudan and Egypt are spoilers of the project’s stride than being grateful to Ethiopia. The occurrence of severe drought years, environmental management issues, water security and the like are mentioned by Egypt albeit the Sudanese position is precariously changing every time and more often than not contradictory. From technical, social, environmental and economic point of view, Sudan followed by Egypt are more benefited by the project than being adversely affected. Arguments by both countries on the adverse impacts of the project are far more dwarfed by the benefits. One can conclusively state that both countries especially Egypt is a hostage of its own manufactured fears when no drop of consumptive use of Nile water by Ethiopia is possible due to the construction of GERD.
The real cause of dispute
From a geostrategic perspective, a rising and assertive Ethiopia may have an adverse impact to Egypt’s diplomatic clout in North-East Africa and the Middle East. It is an established fact that Egypt has a double faced diplomacy on the waters of the Nile: too aggressive on upper riparian countries and too generous to non-riparian neighbors. Egypt threatens upper riparian countries not to use water and promises to deliver water out of the basin to the Middle East and North Africa. Buying the support of its neighbors using Nile Waters as a connecting rod may not be feasible in the distant future as Ethiopia and other upper riparian of the Nile pursue for equitable utilization. Another factor is the domestic political backlash on being ‘soft’ on Ethiopia.
In conclusion, Egypt and Sudan will benefit from GERD in multiple ways without investing even a coin and the ill-effects are not that significant to ignite the too vocal voices. Why they are opposed to the project is anchored on the perception to lose geostrategic leverage and for domestic political consumption purposes.

Alemayehu Gessesse is a Practicing Civil Engineer from Ethiopia. He writes on civil engineering projects, hydro politics of the Nile and seldom in geopolitics of the Horn of Africa. He can be contacted at alemges2021@gmail.com.

Ethiopian Meron Hadero sweeps the board at the Caine Prize

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Meron Hadero, author of “The Street Sweep”, is the 2021 AKO Caine Prize for African Writing winner, Goretti Kyomuhendo, the Chair of the AKO Caine Prize Judging Panel announced on Monday July 26.
During the virtual announcement, Kyomuhendo said, “The genius of this story lies in Hadero’s ability to turn the lens on the clichéd, the NGO story in Africa to ‘do good and do it well.’” She further added that “What stood out for the judges was the story’s subtle, but powerful ending, and how everything comes brilliantly together in a clever twist.”
Hadero, whose short story “The Street Sweep” was shortlisted among four others, becomes the first Ethiopian to win the highly coveted and equally competitive literary prize for African writers. However, this is not her first time to be on the competition, as her short story, “The Wall,” was shortlisted in 2019.
“The Street Sweep” features a young optimistic man, Getu, his mother and an American expatriate, Jeff Johnson. Getu is hopeful that Jeff Johnson will consider their friendship and change his ragged life into great fortunes. However, Getu’s mother is cynical and sceptical at the same time, as she looks at Jeff and the NGOs in their locality as nothing less of scams.
Hadero explores the interracial dynamics in a postcolonial nation-state of Ethiopia. She presents the non-existent relationship between the Ethiopians and the Euro-American workers in Ethiopia, offering us a peek into the classicism that is widespread in such a society.
Fearlessly, Hadero criticises the irony of the policy framework that exists to serve the capitalistic interests of the western countries while degrading the existence of her people. She also looks at the extent to which white saviourism has corrupted the hopes of Africans to regain their dignified position in their own countries. In a nutshell, Hadero’s story is one of every postcolonial African nation.
Other shortlisted writers were Uganda’s Doreen Baingana with the short story “Lucky,” Rwandan-born Namibian Remy Ngamije with the short story “The Giver of Nicknames,” Kenyan Troy Onyango with the short story “This Little Light of Mine,” and Ugandan-Canadian Iryn Tushabe with her short story “The Separation.”

Art from the Horn of Africa Makes Exciting Debut in Sweden

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An intergenerational group exhibition, From Modern to Contemporary: Artists from the Horn of Africa and Diaspora (10 June–17 August 2021) at the independent art space CFHILL in Stockholm marks the first Scandinavian showcase of artists from this region.

This collaboration with London and Addis Ababa-based Addis Fine Art continues CFHILL’s commitment to offering an exhibition platform to international curators, artists, and galleries. Works by 19 artists including sculpture, painting, textiles, video, and photography are shown in five main galleries across two floors, highlighting important artists of Ethiopian, Eritrean, and Sudanese descent spanning the modern era to the present. Among them are two modern masters, and the first graduates of the Allé School of Fine Arts and Design at Addis Ababa University, the oldest art school in East Africa: Lulseged Retta and Tadesse Mesfin, who is also a long-time Allé educator.
Founded by the artist Alle Felege Selam, the Allé School of Fine Arts and Design was the first art school in Ethiopia, and for over six decades has produced an impressive cohort, including seminal text-based painter Wosene Worke Kosrof, Elizabeth Habte Wold, and educator Bekele Mekonnen.
Works by Retta and Mesfin are included in the first of four sections that organise the show chronologically and thematically: ‘The Modernists’, which looks at the first graduates of the Allé School of Fine Arts and Design in the 1970s.
Retta’s figurative acrylic on canvas painting Setate (2010) shows two women cooking in rich saturated hews; and Mesfin’s Pillars of Life: Patience II (2020) is a striking portrait of Ethiopian women in the marketplace part of an ongoing series celebrating women working as small-holder vendors in Ethiopian cities.
Works by Retta and Mesfin are included in the first of four sections that organise the show chronologically and thematically: ‘The Modernists’, which looks at the first graduates of the Allé School of Fine Arts and Design in the 1970s.
Retta’s figurative acrylic on canvas painting Setate (2010) shows two women cooking in rich saturated hews; and Mesfin’s Pillars of Life: Patience II (2020) is a striking portrait of Ethiopian women in the marketplace part of an ongoing series celebrating women working as small-holder vendors in Ethiopian cities.
‘The Diaspora’ brings together second-generation immigrants living in Europe and the U.S.A., including Tariku Shiferaw, Helina Metaferia, and Atong Atem, all in their twenties, who reflect on the hybridity of diasporic lives. Atem’s afrofuturist photographs created in the past year, such as Eva in Green and Ruth with Veil (both 2020), comment on an identity politics rooted between tradition and contemporaneity.
Similarly, Metaferia’s fantastic headshot collages Headdress XX and XIX (both 2021) celebrate the overlooked histories of BIPOC women’s labour within activism, and the generational impact of civil rights eras of the past on today’s social justice movements. Archival imagery, including Black Panther newspapers and civil rights era photographs, are amalgamated into crowns of adornment upon portraits she has photographed of women who are involved in contemporary liberation movements.
In one of the ground-floor galleries, Ethiopian-American artist Tsedaye Makonnen’s totemic, pillar-like light emitting sculpture Senait & Nahom, The Peacemaker & The Comforter I (2019) is in conversation with the artist’s Astral Sea IV (2019), a deep blue cape adorned with hundreds of laser-cut mirror pieces drawing from Ethiopian Coptic cross motifs.
The cloak is activated when worn by Tsedaye in her performance art, which is a total body of work that explores the transhistorical forced migrations of Black people globally. The cape faces Tariku Shiferaw’s Sky Walker (Miguel) (2021), a densely layered painting of thick, differently coloured bars against a sky-blue ground.
In the final thematic section ‘Emerging Artists’, a new guard of exciting female artists living in the continent and as part of the diaspora range from Selome Muleta’s figurative explorations of femininity and intimacy; Tizta Berhanu’s abstract renderings of emotive gestures; and Yasmeen Abdullah’s humanistic depictions influenced by the poetry of Mahmoud Darwish.
A standout presentation is the grouping of works by Adiskidan Ambaye, Daniela Yohannes, Atong Atem, and Selome Muleta, which creates a compelling space of intimacy, with representations eliciting imaginations of the future.
Muleta’s photographic acrylic and oil pastel portrait Tsédal XXI (2021) is drawn from the artist’s series that depicts women in her life posing inside fictive interiors; while Yohannes’ Ontological Terror (2021) meditates on alternative and mythological Black realities through the vision of a nude, light blue female figure in flight, surrounded by blue flames against a deep blue, dreamlike landscape.
Ambaye, the only other sculptor on view alongside Makonnen, is a welcome inclusion with contorted wooden sculptures created from gestural drawings. Liberty (2019) and Queen of Sheba (2020) appear as if they were moulded from a single block but are composed of handcrafted smaller slices of plywood fused to form the whole, the surface carefully sanded and smoothed by the artist. Ambaye likens this process to the way an eraser rids drawings of errors while sketching.
The curatorial thesis adopted by the exhibition’s organisers, Addis Fine Art’s co-founders, Rakeb Sile and Mesai Haileleul, situates the nuances, interconnectedness, and cultural specificities pertinent to artists from this part of the continent. ‘Africa is a complex and diverse continent’, they note. ‘The term “African art” is often used as a shorthand for art produced in certain regions of a continent of over a billion people.’
They add: ‘Regional specificity matters, hence why we decided to group the Horn of Africa for this exhibition as each country that makes up this part of the continent shares certain ethnic, religious, and cultural similarities.’
Ethiopia presents a compelling case in exploring nuances of the region due to its unique history as a country that was never colonised but was occupied by Italy for approximately five years, developing a counternarrative to the singular view of modernism coming to the continent through colonial contact.
East Africans in particular Somalis and Eritreans are among Sweden’s largest immigrant communities. From Modern to Contemporary does not stake a claim as the definitive overview of artists working in this region or its diaspora; rather, it offers long-overdue insight on key developments in the region and across its diaspora over 50 years.
Organisers hope the show will resonate with the sizable East African population in Stockholm to see themselves, their culture, and their beliefs represented. ‘We are excited to hear feedback from members of this community on the exhibition,’ say Sile and Haileleul.
Co-organiser and CFHILL’s co-founder Michael Elmenbeck adds: ‘Eritreans are one of the largest diaspora groups of Africa descendant in Sweden, and if we can showcase cultural objects that so many are able to connect to in different ways, the exhibition has fulfilled its purpose.’
The result is a cross-temporal presentation that eschews definitive conclusions in order to open up starting points for further research, critical reflections, and interest in art from the Horn of Africa. It is an exciting proposition that one hopes will contribute not only to developing communities, but to the developing histories of East African art, opening up a deserved critical perspective on the region.

(OCULA)

Think, organize & transform

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In a world dominated by adroit selfishness and deft manipulations of relations, social or otherwise, gullibility can be fatal. Unfortunately, we Africans don’t seem to grasp the imposed cruel reality that continues to play havoc in our collective lives. Flag independence didn’t bring much, as a more nuanced scheme that goes by the name neocolonialism, soon usurped collective thoughts and actions. Thanks to the numbing educational systems adopted in the early days of our independence (by our gullible leadership), our innate criticality was made to systemically vanish from serious discourse, giving way to the highly celebrated zombification of learned idiocy. All in all, our increasingly valueless societies have become clueless about all and sundry. Herein lies the grave danger to our very survival!
THINK. Critical thinking is one of the essentials of life. To be without it, particularly in the complex societies of out time, is to beg for chaos and destruction. Undermining this important facet of life (by almost all African countries) has allowed useless/unsustainable schemes to take over our existence, collective or otherwise. To be able to deconstruct the modern world system that is built on our continual impoverishment and chaos requires high caliber efforts. Internalizing the principles of the prevailing world order without being able to analyze its consequences will not take us far. To start with, the reigning global system is based on the irrational and brutal domination of both man and nature! The results of callous exploitation of life and life support systems are now clearly upon us and collective humanity is becoming acutely aware of this destruction. Hence, blindly following the dominant system is a non-starter. Not surprisingly, our learned zombies, or what we affectionately call our ‘Ivy Idiots’ and our ‘belly thinkers’ do not have what it takes to bring about transformative changes to our miserable situation. Neocolonial modernity, be it of the neoliberalism type or otherwise, is a dead end. Flogging a dead horse only results in the unsightly broadcasting of carcass and nothing more, so to speak. Africa must resort to its organic intellectuals, supported by its impoverished sheeple (human mass) to bring about genuine emancipation, per force! Here we are talking about an overall emancipation. An emancipation that is in a symbiotic relationship with nature, hence, necessarily spiritual!
ORGANIZE. People oriented organizations must be the new agents of societal transformations. Oligarchs worshipping at the pillar of accumulation cannot and will not bring fundamental changes, however much our compromised states preach about the ‘superhuman virtues’ these vultures. There is a whole lot to be learned from the experience of late & early 21th century ‘Oligarch Russia’. Organizations to transform society from what it is to what it ought to be must rely, first and foremost, on the emancipated sheeple and not on inhuman capital. The working stiff, not only traditional labor, but also the enlightened component of the massive peasantry, entrepreneurs (social, etc.), activist intellectuals and the likes should play leading roles. Africa’s once leading parties/entities that were vanguards of the liberation struggle are going the way of the Dodo, literally speaking! From ANC to EPRDF, from MPLA to ZANU/ZAPU, etc. these once progressive entities have failed to understand and cope with the aspiration of their sheeple, within the dynamically changing world. Their obsession to deeply get incorporated in the prevailing polarizing globalization has resulted in alienating their human base. These rudderless parties of old, with increasingly phony pretensions, have become only subservient to the global parasitic system and its criminally inclined oligarchs. It is time for change in the way the African people are organized!
Africans need to set up genuine movements that are aware of Africa’s predicaments in the existing world system. The ‘make believe’ world of our learned idiots is passé. Blindly following the prescriptions of global dominant interests will only lead, at best, to impotency. After all, why should the African natives remain completely subjected to the whims of monopoly capital and its stealing oligarchs in cahoots with degenerate politicos at the service of polarizing globalization? We encourage the committed and kosher old guards, if they still have some energy left in them, to split from the visibly degenerated polity of their institutions and join the putative insurrections that are now in the offing. The youth must start its own independent analysis of what is brewing, with a view to channel its energy to the urgently needed transformation!
TRANSFORM. Transformation, continental or otherwise, needs the above two as preconditions, i.e., thinking and organizing. Without having these two prerequisites in place, Africa will only move from one blind alley to another. Economic depravation cannot be mitigated by mere obedience to the reigning diktat, reinforced by current neoliberalism. Capital investment, promoted by state-led principals of emerging states or by corporate-owned states of the old core countries, will not be sustainable if devoid of equity and empowerment! Moreover, climate change and other natural pestilences (to say nothing about man-made ones to come) that will be more pronounced in the years to come, promising a journey of misery and unmitigated poverty, require new paradigms of societal arrangements. The coming African liberation will require a determined approach that has yet to come to the fore, even in countries like Ethiopia, where the tradition of fighting injustice was once an honorable undertaking!