Monday, June 15, 2026
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CURATING THE FUTURE

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The African Union has declared 2021 the year of “Arts, Culture and Heritage: Levers for Building the Africa We Want.” Well done! However, African artists have not waited for anyone, any country or any institution to recognize or support their efforts, in line with the theme. Ethiopian artists amongst artists on the continent have had to fend for themselves, before Covid19, and during 2020 when 99% of the world experienced serious financial hardship. These conditions have not deterred artists from finding new media, fresh narratives and innovative spaces to share their work. Moa Anibessa Art Studio Gallery is just one of these spaces. Located in Kazanches, the center of Addis, Artist Prince Merid Tafesse has decided to open his family home of over 35 years to the public for the purpose of sharing his art, ideas and creativity. Full disclaimer: I am married to Prince Merid and gave great consideration as to how to write a piece about the avantgarde artist and his decision to open his very private life to the public, without partiality. Problem is I am very partial to art and role it plays in our society; evidenced by this very weekly column.
There are a handful of galleries and art spaces in Addis Abeba which contribute in so many ways to the development of the country. In alphabetical order, to name a few, Addis Ababa Museum, Addis Fine Art Gallery, Gebre Kristos Desta Modern Art Museum, Guaramayne Art Center, Lela Gallery, Lafto Gallery, Oda Medemer Art Sculpture Space, St George Gallery and Zoma Museum. Being obviously biased to art and spaces where people can gather and have important exchanges on the relevance and analysis of social, spiritual, cultural, even political ideas; I am thrilled that Moa Anibessa Art Studio Gallery has entered the ring. The name of this newest spot is inspired by the gate. For almost 15 years the black gate with a golden majestic lion flanked by the green, gold and red flag; topped with cross and crown, representing the age-old Ethiopian monarchy has been a landmark. Located in a quiet cul-de-sac, just a 5 minute drive from the Radisson Hotel visitors are in for a treat. Once you enter the compound you are surrounded by an oasis of green. Ten meter tall banana trees; fruit filled Tamarillo tree; pink and red hibiscus bushes; jade trees with aromatic buds; towering cactus and orchids with beautiful red blooms and more grace the small yard.
The classic Kazanches style villa has all the design influences of renowned architect Frank Lloyd Wright including low pitched roof lines, central chimney and overhanging eves; typical mid-modern century architecture. A 3 meter wide red wall introduces viewers of what is to come with an equally long acrylic work with a depiction of life in Addis…construction, people moving fast and a cast of characters, many of whom we can identify as someone we have had an encounter with at some point in time. Then you enter Moa Anbessa Art Studio Gallery for an experience. The salon with warm polished parquet floors, 3 meter high tray ceilings with wood insets and a brick faced marble fireplace are transformed into a showcase for contemporary fine art. The 44 square meter space houses the first exhibition “Different Strokes For Different Folks” solo oil painting exhibition by owner/artist Prince Merid. Two dozen works ranging in sizes and content are neatly displayed on the crisp white walls. Subjects range from “Tribute to Lemn Sissay”, Ethiopian poet to “Tribute to Kahlil Gibran” who sits in an urban apartment surrounded by a flurry of activity. “Hamsa Lomi” depicts a typical cultural scene with one young woman dressed in cultural garb cradling an arm full of lemons while others enjoy the holiday setting. The fresh aroma of oil paint fill the gallery but not in an overpowering way. Instead, it’s just enough to remind you that you are in an artist’s home and studio.
When Merid’s “favorite female artist” Selome Muleta visited Moa Anbessa, the two discussed the shortage of space and thus limited options for exhibitions. They elaborated on the need for art lovers and buyers to experience the artists’ domain…where they live, eat, create. This may not be a novel idea however it does require some effort beyond showcasing art, propped up on walls which sit on the heavily paint encrusted floors. The concept of a studio gallery is about strong and focused artists curating a section of even the smallest space and inviting art connoisseurs, collectors, media and more to showcase and sell art work. Additionally, the studio gallery can be offered to young artists for pop ups as they rarely get a chance to exhibit in their first few years. Unleashing the power and potential of artists is essential to the shaping of tomorrow’s Ethiopia and there is no need to wait on galleries or government. They will catch up. Poet Lemn Sissay says, “I think I’ll paint roads on my front room walls to convince myself that I’m going places.” Likewise, may artists be surrounded by curated spaces that remind them they are not just producers of paintings but visual authors of our dreams, hopes and aspirations.

Dr. Desta Meghoo is a Jamaican born
Creative Consultant, Curator and cultural promoter based in Ethiopia since 2005. She also serves as Liaison to the AU for the Ghana based, Diaspora African Forum.

Lemlem, Solomon & Habitam in record breaking show in Torun

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Ethiopian Lemlem whose World U-20 1500m record of 4:01.57 was ratified last week kicked to victory ahead of the race as a favorite whilst World 3000m record holder Kenyan Beatrice Chepkoech also produced a good show in the latest World Athletics Indoor Tour Gold event in Torun-Poland.
Lemlem, Chepkoech and Ethiopia’s Fantu Worku had followed the pacemaker through 1000m mark on a world record pace, clocking 2:44.60, but 200m earlier the world record-holder, Genzebe Dibaba, had dropped out of the race on her season debut.
The pace slowed to 3:01.25 for the second kilometer as Lemlem led from Chepkoech and Fantu with 5:45.85 on the clock. A quicker final kilometer saw the 2016 U-20 World champion silver medalist Fantu dropped and a last lap of around 28.8 saw 19-year-old Lemlem surge to a world-leading meeting record of 8:31.24 ahead of Chepkoech’s 8:31.72 PB.
Ethiopia’s world 5000m silver medalist Solomon Barega won the 1500m in an indoor PB and meeting record of 3:32.97 from Marcin Lewandowski with a Polish indoor record of 3:35.71. In third, Neil Gourley ran 3:35.79 to move to fifth on the UK indoor all-time rankings, whereas the time also beat his outdoor PB.
The Torun World Athletics Indoor Tour also offered another surprise victory to Ethiopia’s Habitam Alemu who ran a big PB to improve Women’s 800m’s previous meeting best with 1:58.19. It is the biggest accolade for the 24 year old Habtam who specializes in 800m event. Poland’s Joanna Jóźwik was second with 2:00.42, while Nadia Power had another fine run to smash her Irish indoor record with 2:00.98 in third.

Economics and Elections

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Economics and elections form a tight weave. When anchoring economic threads snag, governments can fall. Electorates, the “nation as voter,” are strongly affected by global economic fluctuations, real and perceived. For all democratic nations that have received a reasonable amount of study, plausible economic indicators, objective or subjective, can be shown to account for much of the variance in government support. In multivariate competition, controlling for other aggregate issue measures, the economic indicators hold their own.
Indeed, the savvy modeler, given the choice of only one predictor, would do well to select an economic measure. Which one? The answer varies from country to country. It could be unemployment, inflation, or growth, perhaps measured perceptively, perhaps at a lag. James Hughes, Professor and dean emeritus of Rutgers University stated that measurement variability is not a theoretical weakness.
Rather, it incorporates, as it should, the institutional history of eco-nomic performance and statistical reporting in that particular country. Also, it is in harmony with the value of specifying political context, as is done in the positive cross-national studies. Electoral institutions, which shape the distribution of political economic responsibility in a nation, can affect much. Where government is led by one party, rather than several in coalition, the economy-polity link is especially firm.
Professor Rice Lewis-Beck of Leeds University argued that the powerful relationship between the economy and the electorate in democracies the world over comes from the economic responsiveness of the electors, the individual voters. Among the issues on the typical voter’s agenda, none is more consistently present, nor generally has a stronger impact, than the economy. Citizen dissatisfaction with economic performance substantially increases the probability of a vote against the incumbent.
In a sense, it is even more important than long-term factors such as partisan identification, because of its greater volatility. Opinion on economic performance – satisfied versus dissatisfied – can alter dramatically from one election to the next, whereas party identification and other long-term forces change little. Thus, the fall of a government is more likely to come from a shift in economic evaluations than from a shift in party attachments.
What is the psychology of the economic vote? The classic reward-punishment model appears sound. According to James Hughes, voters, regardless of the democracy in which they live assess national economic conditions and reward or punish the politicians responsible for those conditions. When judging the economy, they tend to look at multiple indicators rather than a single one such as only unemployment and arrive finally at a summary view. That view is subjective; it comes from an internal calculus that may use unique weights, and it is based on impressions from various sources, as well as on hard numbers from statistical reports. For example, a voter may decide that the economy has done badly over the last year.
According to Professor Rice Lewis-Beck, this collective retrospective judgment will tend to produce a vote against a party in government. Moreover, economic voters are not naive. They discern when a party is more clearly responsible for economic policy, and adjust the likelihood of their sanction accordingly. Further, they are capable of prospective judgments on party promises, in conjunction with retrospective judgments of party performance.
The economic voter favors a different party for different problems. For instance, in the United States, Democrats are considered better at dealing with unemployment, regardless of incumbency status. Since economic voters act largely on their perceptions of the national economy, it is important to know what they actually know about the economy. Because a good deal of the average voter’s economic information must come from the media, establishing these media connections is in order.
Taxes are an extremely touch subject amongst all voters across the world. The introduction of or increase in taxes is enough to make a government unpopular. Conversely, repealing or reducing taxes is enough to increase the popularity of any government. This is the reason why pre-election budgets are often marked by tax breaks for the masses. Often, the industrialists and the wealthy are made to pay for these tax breaks. A lot of times, the government is just adding to the national debt which means that the taxes are only reduced temporarily and will have to be increased at a later date.
Industrialists and businessmen are known to avoid taking key decisions during an election year. This is because a change in the government may also mean a change in the priorities of the government. Many times, the policies of a government entirely change the viability of a project. Businessmen want to avoid the risk of their projects becoming redundant thanks to government policies. Hence, they prefer to play the wait and watch game. This obviously has a negative impact on the economy since the economic output, and the jobs which could have been created now are being postponed.
Donovan Bowler of Bloustein School of Planning and Public Policy noted that almost all extant economic voting research, assumes the most relevant evaluation dimension is global economic output, i.e. “How is the nation’s economy doing?” But economic distribution may be an emerging relevant dimension. That is, what are the electoral effects of rising income inequality and insecurity?
According to Donovan Bowler, within Europe generally, there is also the question of the effects of the European Union on economic voting nationally and for the European Parliament. Dr. Andrew Martins of Leeds University stressed that little is known about economic voting in developing countries, although this is changing, as different recent study papers attest. One imagines that the reward-punishment paradigm can be extended to transitional democracies in Africa, for example. However, different dimensions, such as economic globalization, may emerge as more important. In fact, in the long run, increasing globalization may change the character of economic voting in western nations as well.

Rahel Mulugeta

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Name: Rahel Mulugeta

Education: Diploma in Hotel Tourism

Company name: Eldana Flower

Title: Manager

Founded in: 2020

What it does: Sell flower bouquet

HQ: Beza Building around Bole Medhanealem

Number of employees: 2

Startup Capital: 20,000 birr

Current capital: Growing

Reasons for starting the business: Because I love the sector

Biggest perk of ownership: It makes me happy

Biggest strength: Dedication

Biggest challenging: Difficult to find customers

Plan: To become a professional florist

First career: None

Most interested in meeting: Mohammud Ahmed

Most admired person: PM Abiy Ahmed

Stress reducer: Eating food

Favorite past time: Going out of the city

Favorite book: Dertrogada

Favorite destination: Bahir Dar

Favorite automobile: BMW