Tuesday, October 6, 2026
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Bereket Solomon

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Name: Bereket Solomon

Education: BSC

Company name: Maedot Furniture

Title: Owner

Founded in: 2016

What it does: Make different kinds of furniture

HQ: Addis Ababa, around Lafto

Number of employees: 7

Startup Capital: 20,000 birr

Current capital: 500,000 birr

Reasons for starting the business: My passion for wood work

Biggest perk of ownership: Designing new ideas

Biggest strength: Visionary

Biggest challenging: Capital and space

Plan: ITo open 5 showrooms in the coming 5 years

First career: Employee in a private clinic

Most interested in meeting: No one

Most admired person: No one

Stress reducer: Spending money

Favorite past time: Working

Favorite book: Bible

Favorite destination: Anywhere tranquil where I can get new ideas

Favorite automobile: Ford

Building “Baby” Dams to Fund the Mega Dam: “Owners” vs. “Guardians” of the Nile

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The Queen of Sheba

The war-mongering government of the Arab Republic of Egypt and its sycophant client Sudan recently declared the completion of their latest round of military adventure under a grandiose heading dubbed as the “Guardians of the Nile”evidently intended to bully, intimidate and scare Ethiopia which is unwaveringly advancing to fill and complete its Grand Ethiopian Renaissance Dam (GERD). Ethiopians are appalled by the blatant aggression, dulled by the incessant open threats and astounded by the concealed sabotage being perpetrated by these countries.
In what appears to be a not-so-coincidence, following this contemptuous intimidation, the “Owner of the Nile”, Ethiopia enthusiastically announced the building of hundreds of mini and medium dams on its vast wealth of river basins. This was communicated with an explicit intent to harvesting three times a year to meet the huge and urgent need to feed its over 110 million population and growing fast.
No where in the history of humankind and geopolitics have we witnessed such a proportion of injustice and contemptuous audacity laced with utter greed of countries that claim something that is not theirs in such a blatant, vulgar and brazen manner. This is not lost to most countries in the world and most certainly all sub-Saharan Africa.
Since the announcement of the intention to build the “baby” dams, both the Arab Republic and Sudan have escalated their rhetoric of war yet again. In fact, the Arab Republic’s most senior diplomat was quoted as describing this critical national developmental endeavor, as Ethiopia’s “provocation”.
A Painful Lesson in the Past
What is remarkable is that neither the Arab Republic nor Sudan did bother soliciting clarification from Ethiopia on its plan, before unleashing their chest-thumping threats. And yet, Ethiopia is a water tower of Africa with numerous rivers and streams cascading down its mountains, gorges and valleys quite a number of them cross-border. If there were any doubts on the intent of these two belligerent countries, this latest bravado is another evidence of their ill-will.
The economic and financial spin offs from the new “baby dams” evidently support the completion of the GERD hence building “baby dams” to fund the mega dam. Obviously, with its burgeoning population, Ethiopia cannot continue to depend on rain-fed agriculture and thus an active irrigation campaign remains an imperative. To support this effort Ethiopia has been, of late, deploying a cloud seeding technology which also serves the interests of the two countries.
Ethiopia will always be haunted by the calamitous famine in the 1980s which killed millions of its citizens and turned Ethiopia into an epitome of global poverty. In building these “baby dams”, Ethiopia intends to feed its population as it can never continue to rely on the demeaning practice of begging food in the 21st century.
“Baby Dams” A Redux
Over a year ago, I wrote a piece entitled “Building Baby Dams to Save the Mother Dam: Ethiopia’s Option”. Here, I capture some of the points, as is, as I find them relevant to this piece.
Ethiopia possesses an enormous arsenal of endless, terrestrial, virtually “free” and indestructible, but supremely powerful natural missiles which furiously cascade down from the breath-taking Ethiopian highlands, mountains, valleys and gorges. They have continued to empower the mighty “Nile of Egypt” in the form of hundreds of thousands of streams, rivers and tributaries since time immemorial.
These very natural resources have continued to nourish the thankless nation which has consumed and thrived on the water without gratitude, let alone, compensation. Regrettably, the Arab Republic has covertly and openly conspired to systematically and strategically weaken and divide Ethiopia for centuries so that the river flows without any use by its natural owner.
Ethiopia may find it appropriate to refuse to play by the uncharitable, if not uncivilized, warfare book which preaches an eye-for-an-eye should the war between two countries broke out. In reaction to the ever-belligerent position of the Arab Republic, Ethiopia could initiate a sustained campaign to utilize all its waterbodies making up the “Mighty Nile” in a determined, if not retaliatory, manner. An official reaction to resort to such a “passive” national campaign in retaliation for the aggression is easy to contemplate given the unflinching national resolve and popular support to build the Dam oh, yes, on its own.
Ethiopia may need to consider that the effort to build the Renaissance Dam, the “Mother of All Dams”, is pursued along with building a thousand “baby dams” (BBDs) in the emerging country as a renewed strategy for its development. Ethiopia may have to actively and strategically, formally and informally, officially and unofficially, implicitly and explicitly engage in BBDs in the entire catchment area of Abay, which stretches several hundreds of miles within the country, should the Arab Republic dare attack it.
While Ethiopia has to defend itself resolutely, it may need to refuse to send its natural missiles, by instead building thousands of small-scale, off-the radar “baby dams” at every hamlet conceivable in retaliation for the Arab Republic’s man-made missiles. It should be that BBDs need not be sanctioned by a government or external funding entity but simply built, managed, filled and operated by “poor and illiterate” peasants of Ethiopia the very victims of the Arab Republic’s explicit and hidden hands of conspiracy and destabilization. Oh, yes, it may be a slightly onerous task for the Arab Republic to hunt down every Ethiopian peasant involved in BBDs.
Spirit of Cooperation?
It is clear that Ethiopia is highly motivated to build new dams across the country. It is highly anticipated that the GERD will be filled and the planned 100 mini and medium dams will be built. We just witnessed a medium-size dam in the north completed 70 percent, and anticipated completion in less than a year. To be sure, even if the Egyptians manage disrupting or destroying the mega dam, as their officials often nauseatingly squawk, the repercussions from that remote adventure should be more evident. This most certainly may trigger, not just the building of dams but containing every water bodies around the country in an unprecedented national campaign not witnessed hitherto. The so called “Guardians of the Nile” may then will have the grueling and impossible task of invading or attacking every town, village and hamlet deep in Ethiopia.
In a more direct way, it is important to remind that the Arab Republic and Sudan do not just show up for “milking the cow,” as President Museveni of Uganda laconically put it once, but earnestly engage in “looking after the cow”, among others, through the protection and development of water catchment areas. The “tenacious milkers” may need to reassess their untenable position in the interest of effectively utilizing resources for mutual development.
And yet, if the spirit of cooperation replaced the incessant greed and bellicose narrative of war, huge developments could be entertained in numerous ways and fronts. Jointly investing in massive agricultural developments in the deserts of the Sudan and the drylands of eastern Ethiopia through a cooperative arrangement, are examples. The just inaugurated Tana-Beles Sugar Development project, that was planned some 60 years ago but was incessantly sabotaged and failed, is an excellent testimony. This could easily turn the region into the breadbasket of the continent. One wonders if the Arab Republic is interested in such win-win schemes as it wickedly and greedily treats these developments as a threat.
In Conclusion
Ethiopia is yet to properly account the real financial value of the 86 percent of the over 55 billion cubic meters of the Nile water that generously cascades to the ungrateful nation every year. Using the lowest global water tariff rate which Egypt uses to sell this amounts to over 6 billion USD. Oh, yes, Egypt actually sells water a water she does not generate, and yet aggressively, contemptuously, clandestinely and openly sabotages Ethiopia from utilizing its own resource to feed its poverty-stricken population.
If there was a global ranking of greed in the world, no one may beat the Arab Republic of Egypt in this unenviable scale. Sudan is simply a pathetic and spineless pawn dancing to the game of the wannabe Pharaohs of the Arab Republic, as it fully recognizes, but (of late) refuses to acknowledge, the importance of the GERD to its people.
The injustice, greed, and conspiracy of the Arab Republic and Sudan must stop in the interest of equitable growth and prosperity of the three countries in particular, and the Horn and the entire riparian region as a whole.
No amount of greedy “Guardians of the Nile” would conquer the magnanimous, but fearless “Owners of the Nile”.

The Queen of Sheba may be reached at QueenOfSheba2020@outlook.com | Twitter: @TheQueenofSheb5 (Twitter has suspended this account for months now, for no apparent reason, as this account is barely involved in tweets. Regrettably, it is possible that Twitter may have been duped by those who loathe its position.)

Artnoise Open residency invites artists to travel the world

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Applications are open for Artnoise open residency 2021 – 2023. Artnoise open residency gives its participants the opportunity to travel to Ghana, London, Morocco, Togo, Capetown, or Canada from 2021 – 2023, create new art, explore and exhibit their works.
Artnoise Open Residency is a program designed for Visual Creatives who work in various mediums including the digital space interested in exploring Afro arts and audiences. It is designed for creative people who want to take steps in their career and artistic development which include painters, applique artists, digital illustrators and painters, video game artists, Youtube content creators, and other arts professionals.
Participants will have the space to create, research, experiment, cultivate new directions in their work as well as execute new projects.
In addition to a shared studio space and living facilities, artists are invited to immerse themselves in the local creative community, art exhibitions and festivals, visit galleries and have the opportunity to learn from their peers in the hosting city.
This opportunity will provide artists with support to develop their art, explore new art, gain new experiences, exhibit, and meet new audiences.
This is not Artnoise first foray with artists, in 2018 the platform took artists to Kenya and Tunisia, in 2019 to Canada, and in 2020, it held hosted free online programs for hundreds of creatives to develop their arts online during the pandemic.

“The Art of Facing Fear” World United version

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After the Brazilian, Afro-European and North American montages of the digital play “The Art of Facing Fear”, the company Os Satyros will premiere the world version in June, with actors from Angola, Argentina, Bolivia, Brazil, Cape Verde, China, Cuba, France, Germany, India, Indonesia, Iran, Kenya, Korea, Nigeria, Philippines, Russia, Singapore, United Kingdom, USA and Venezuela, who will each perform from their homes, directed by Rodolfo García Vázquez, director of Brazilian company.
Actors from five continents will gather by their love for theatre to talk about the planetary event that changed the lives of more than seven billion people.
“The Art of Facing Fear”, recognized as one of the iconic works created during the pandemic, was staged for the first time in June 2020, talking about the perplexity and fear of an unknown situation faced by the entire planet, and that even today it has many unanswered questions.
The montage, which has already been seen by more than 30,000 people, is a co-production by Os Satyros and The Red Curtain International, an artistic organization from India, a country that is today the epicenter of the pandemic.
Although in times of global confrontation by Covid-19, the resumption of artistic activities still requires a lot of effort and care, it is a fact that theatre artists need to work. It is a world that returns little by little, varying according to the stage of control of the pandemic in each country. But it is still a matter that concerns the entire planet, so there is nothing better than bringing together the experiences of the five continents, synthesizing, in an artistic work, the same feeling that helps the world breathe. In an apparent contradiction, this becomes possible right now, in this new life in front of the screens.
THE COMMUNION OF DIFFERENCES – LANGUAGE, CULTURE, TIME ZONE
Directed by Rodolfo García Vázquez, co-founder and director of Os Satyros, the show will be performed mainly in English, with excerpts in other native languages of the actors. As with all rehearsals, all presentations will take place remotely and in real time, with each actor in their home, in their country and in their respective time zone, using technology to reconcile different worlds.
“Twenty-five actors from five continents! If you think finding them was difficult, imagine booking rehearsals with all these time zones. Fortunately, The Red Curtain International has already developed some expertise in assembling calendars across multiple time zones, as we have already produced two versions of the global online theatre festival The Good The@tre Festivals & Awards. The International Jury also had to watch the live performances (recorded plays are not real theatre!), so we already knew a little bit about the best times if the world needed to meet online. Os Satyros also knows a lot about making a global rehearsal schedule across time zones, as they had already produced the Afro-European and North American versions of this play,” says Indian director and producer Sumit Lai Roy, one of the founders of The Red Curtain International.
“The Art Of Facing Fear” retains its original motto, but will be renewed due to the cast’s multiple nationalities and also the passage of time between its first debut and today: “No work by Os Satyros ignores socio-political, economic and artists involved in the work. Therefore, the script will reflect much of the dynamics developed with this cross-cultural cast,” explains Rodolfo García Vázquez.
SYNOPSIS
In a dystopian future, people are trying to reconstruct stories from a life before the pandemic. In quarantine for 5,555 days, isolated and anguished, they created an internet group to connect. These friends don’t understand how electricity still exists or there is access to the web, because television stations and newspapers have ceased to exist and cities have been abandoned. Depression, loneliness, fear of contagion, anguish over the proximity of death pervade the scenes of the show.
THE IDEA OF A WORLDWIDE PERFORMANCE
The idea of “The Art Of Facing Fear” version The World United was born in 2020, during the technical rehearsal of Os Satyros for the Good The@ter Festival & Awards, produced by The Red Curtain International, a global non-profit organization that champions The@tre Without Borders.
We will be happy to arrange exclusive interviews, if you are interested, with the Director and/or any of the cast and crew from any of the 5 continents represented in this global effort to help people cope with the after-effects of the pandemic.
Showing time
PRE-SHOW: June 18th (Friday), at 11pm (GMT) with subtitles in Portuguese
PREMIERE: June 19 (Sat), at 4am (SOUTH AFRICAN TIME) or 2am (GMT)
FREE SEASON
PRESENTATIONS AND TIMES (South Africa , Cape Town time ):
06-18 (Friday) at 2:30 am
06/19 (Sat) at 8:00 pm and 4:00 am
06/20 (Sun) at 1:00 pm
06/26 (Sat) at 8:00 pm and 4:00 am
06/27 (Sun) at 1:00 pm
03/07 (Sat) at 8:00 pm and 4:00 am
07/04 (Sun) at 1:00 pm
TICKET BOOKING: from June 1st at https://www.theredcurtaininternational.org/
DURATION: 60 min / CREDIT RATING: 16 years / GENRE: drama / SEASON: until July 4th