Wednesday, September 30, 2026
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ART, LAW & OPEN BORDERS!

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Ethiopia, the land of daily miracles, never ceases to amaze, and trust that every time you think you have it figured out…you really don’t. Case in point, the month of October in this fast changing nation sealed with the appointment of the First Female Supreme Court President, Justice Meaza Ashenafi. That announcement was preceded by confirmation of visa on arrival for all African passport holders, effective November 9th. Retorts to both span the spectrum from bravo to ‘bout time! For those of us in the arts and culture sector, these two landmark occurrences may prove to be important game changers for the art industry.
Collectors interested in cloth from the Congo, carvings from Benin or Shona stone sculptures from Zimbabwe can usually travel next door to Kenya where myriad offerings of such are available. Yet in the Diplomatic capital of Africa, seat of the African Union and 55 Member States you will be hard-pressed to find any of the above, much less contemporary fine art from the Continent.
It is my hope that the opening of Ethiopia to the rest of Africa will encourage artists and galleries alike to increase cultural exchange through exhibitions, art talks and residencies. This could precipitate a movement in the capital towards a true Pan African center for African arts; placing Ethiopia on the map, again. African artists of all elks can visit for inspiration, collaboration and even creation, as the country offers incredible experiences, diverse peoples and sites from land, lake and city-scapes. Ethiopian artists, art schools, studios and galleries may also expand their artistic lexicon through exposure to the works and creative philosophies of the continent; absent in current art pedagogies taught in Ethiopia.
Where the courts are concerned, making the President of the High Court a woman does not address the numerous legal issues on the horizon related to art and commerce. However, the fact that the Government of Ethiopia has said, jurisprudence is essential to progress and in recognition has appointed a ‘non usual suspect’ and activist to head the Courts speaks volumes. The slow but steady growing Ethiopian arts sector has yet to place issues such as intellectual property, copyright, licensing, commercial trade of art on the front burner. Frankly, I am not even sure if these issues have even made it into the kitchen. But mark my word that sooner rather than later, with the Continental Free Trade Act and relaxation of borders connecting the continent; a plethora of legal issues may find their way to High Courts in the near future. This may seem irrelevant but every creation of an artist has both a monetary and intrinsic value. That said the value of the artists’ work must be protected from theft, plagiarism or counterfieters. Additional buyers, licensee and collector’s rights will also play a role in the legal treatise on art, especially with the rising value of fine art in Ethiopia. Finally there are the issues of artifacts stolen from the country during the Italian invasion that may resort to legal remedy if diplomacy fails. A reliable court with a high moral compass must therefore be intact.
As a creative consultant/curator I connect everything to art. As an activist, the arts provide a platform for advocacy. As a jurist my foreseeability lens is relevant to art and as a wo-manager I defend the rights of artists and their creativity. True story. In May 2010, my phone rang. It was my dear friend and brother, Father of Ethio-Jazz, Dr. Mulatu Astatke. “Desi-eye, I need to talk to you…I hear Tizita is being sampled…I didn’t give permission…”. Me, “Ok, I will make a call…”. The song was “As We Enter” on the “Distant Relatives” album by Damian Marley and Nas, produced by Universal Records. Long story short the issue was addressed through knowledge of the law, existing principles for music publishing and a deep respect for the artist (that is once the caliber of the artist was clear and subsequent ramifications for IP violations were noted). But how many artists are established enough to create an immediate response and how many artists or their representatives know somebody, or know somebody who knows somebody? Ethiopia is at a stage where the arts sector requires implementation of existing laws that protect artists while creating new relevant policies that ensure a thriving commercial trade in fine art and the arts in general. With Ethiopia creating ease for a new and exciting corridor for trade, commerce and cultural exchange, a pro-active approach led by artists with jurists and other relevant stakeholders is essential.

Dr. Desta Meghoo is a Jamaican born Creative Consultant, Curator and cultural promoter based in Ethiopia since 2005. She also serves as Liaison to the AU for the Ghana based,  Diaspora African Forum.

Refresher training for journalists

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Our local radios and televisions are telling us to wash our hands before we touch our meals and after using toilets. This is a good personal hygiene orientation for the poor communities who are pushing on lives being affected by multitudes of communicable diseases. There is no denial that we should keep our hands clean if we need to be free from disease causing bacteria and germs. People residing in urban areas may not face serious problems of getting water for this and other related issues. But preaching the rural community about using water for the purpose of washing hands probably causes a mocking laughter. How can a thirsty individual think of washing hands in a country where there can hardly be found a single drop of water to moisten throat? ‘Who do they think is a fool to spill out water for this nonsense?’ This kind of reaction is indisputably reflected by citizens who have long been suffering from lack of clean water. A friend of mine who is working for an NGO once had to accomplish water related activities in a rural locality. He along with his colleagues gave orientation to the rural communities on what they should do using water; like washing hands and clothes, taking bath… After the orientation, the farming population were given chances to reflect their reactions. An elderly man rose to his feet and said, “my sons, we heard all what you have just said. We should extend our gratitude to you for doing this. But…could you please provide us with the water so that we can use it for what you are saying?” This is to mean that the thing is a kind of the cart before the horse.
This reminds me of a slogan which was said to be posted at every corner of local towns during the Derg era. My informants told me that this was one of the slogans used to be frequented during the famous illiteracy campaign. This slogan might not be taken word-for-word, but it goes like this… “You illiterate compatriots, set yourselves free from the darkness of illiteracy! Tear off the black curtain of illiteracy!” What I am interested in is that the slogan was meant to address the innocent citizens who could not read and write.
I don’t need to elaborate all about these two notices by saying they were aimed in such a careless manner that they cannot hit their respective targets.
One bright day while riding a cab I was listening to a radio. It was around 8:00 AM in the morning. This is commonly a breakfast hour across the country. That time the radio journalists were telling us about cultural favorite dishes frequented by people of other countries. However, these dishes are the ones our people do not feel comfortable with to see, let alone eat them. Anyways, that morning we were forced to hear about the ‘favorite’ food of roasted ants, toasted locusts and others. Don’t forget that this program was being transmitted during local breakfast time! What the hell are those editors of the radio doing while such unethical thing was done irresponsibly? (sounding bossy?) … That time one could visualize innocent women and young ladies while leaving their breakfasts on dining tables untouched. Introducing various dishes of different cultures to radio audiences is appreciable on its perspective of raising awareness. The problem is that the producers of the program seem not to take time to think over identifying the proper time in which the program should be aired.
The other day I heard over a local television about a single pigeon that “costs birr 100,000.00 (one hundred thousand)”! … What!? … Is this pigeon made of gold? Or does it defecate uranium? On top of that, what if it flies away the moment it is purchased? I don’t have the slightest idea about different species of pigeons. But I have never heard in my life about a pigeon that costs such big amount of money. I don’t know whether there is a species (of pigeon) which probably devours emerald or diamond. Is there anybody out there who can help? By the way, what this shows to me is that there are individuals who feel like spending (hard-earned?) money wantonly over such useless (at least for me) things. Did I hear the young seller saying over the television that the supply and demand of the pigeons were not compatible? My question now is… should this be done in a country which is always begging for wheat? Should Ethiopian individuals pay that amount of money for a pigeon in this poor country which is crying for its eight million starved citizens? Jesus of Nazareth! … Hey, to tell you something… I would be very happy if the reporter caught an Ethiopian guy (of course, for his/her views) while paying that huge amount of money for a single pigeon. What good news it would be!
Every day I hear a radio announcement on the risk of driving fast. The announcer said that driving fast could cause unexpected loss of human lives. “Driving fast causes death… Speed kills!” is the central point. It is a good message for our drivers who assume the streets to be car racing fields. But the thing is that the message was originally meant to be broadcast via television not through radio. I have watched a good video demonstration of this same announcement on television. To be clear, the script was originally prepared for television not for radio. But unfortunately, this same script is being aired through radio. Surprisingly we are being told to ‘watch’ how the driver drives using different speeds. In fact, the announcer said over the radio, “let’s watch what will happen when the vehicle is driven at different speeds…”. My point is how can a radio listener be supposed to watch through the radio what is being done? There are several other similar commercials originally meant for television but directly read over the radio without the scripts are retouched or modified. I usually listen to many of the news items that were transmitted through television and read by the national radio without any alteration done to them. Due attention have to be given by editors and senior reporters of the media outlets to such silly mistakes.
Now, let me say a few words regarding the differences and similarities between the two electronic mediums, radio and television. This will give some helpful pieces of information to those who are involved in the sector.
Speaking of similarities, I can say that television and radio are both electronic mediums. We use them to transmit signals through electromagnetic air waves. It is advised that the two media outlets should use simple and short sentences.
Television and radio have also major differences. Radio tells you what is happening. You don’t have any opportunity to watch the thing being told about. Television tells you and shows you what is happening. The audiences of the radio cannot watch the incidents like the audiences of television.
There is a possibility of presenting events over the radio as if the audiences are watching with naked eyes. What I am saying is that the journalist can use action words that enable the radio audiences to imagine or visualize what is being told. S/he can describe the scents, size, weight of the things by using select action words. Verbs (action words) are preferable for this purpose. Using many adjectives is not advised as they may not give chances for the audiences to visualize images. Thus, radio gives you more room for imagination. The radio scripts are made in such a way that they can describe incidents. The words you are using should enable the audiences to watch the incidents the radio is speaking about. You can’t address your radio audiences by saying ‘watch’. You rather make efforts to enable them to watch what you are saying through their ears. (yes, to enable them to watch through their ears.) The scripts written for television, however, are supposed to express incidents being watched on the screen.
At last I should propose an idea which can be taken as a possible solution for professional problems the media sector faces. Last Sunday I read a news item in a weekly private paper that seven local banks were fined for failing to train their respective workers. The training issue is a noteworthy point. I feel that others should draw lesson from this exemplary deed of providing refresher training for workers. The same opportunity should also be given to journalists who are working for both the state and private media. No need to tell bosses about the importance of equipping workers with refresher training.

By Haile-Gebriel Endeshaw

Restoring Jimma Abajifar Palace

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The U.S. Ambassador’s fund for Cultural Preservation (AFCP) in collaboration with the Ethiopian Authority for Research and Conservation of Cultural Heritage (ARCCH) funded the 347,000 dollars for the restoration of the Jimma Abajifar palace. The restoration will also support a team of timber craftsmen who will be trained and empowered to design and implement a maintenance plan. The crafts men are expected to care for the palace, and eventually other historical sites in Ethiopia, well into the future.
The restoration project supports a broader vision of creating a new cultural destination in the region that links the heritage of coffee, Aba Jiffar Palace, and Jimma into a broader context that reflects the extraordinary history, culture, and potential of this extraordinary part of Ethiopia.
At the launching of the program the Us Ambassador Mike Raynor remarked that as much as the rock-hewn churches of Gheralta and Lalibela, the walled city of Harar, the fortified settlements and terraces in Konso, and the castles of Gondar, the Aba Jiffar palace represents a history that made Ethiopia a country of incredible cultural diversity, and it reminds us that such diversity should be cherished as a source of shared pride.
“Together, these funds will make it possible to undertake the most comprehensive conservation project ever at Aba Jiffar Palace, including not only urgent timber conservation, but also significant work on masonry elements, drainage, roofing, fixtures, and fitting,” he added.
On the signing ceremony the newly appointed Culture and Tourism Minister Hirut Kassaw (PhD) and other government officials took part.

Revealing the beauty of Ethiopia

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The Italian Cultural Institute, the University ‘L’Orientale’ of Naples, together with the Institute of Ethiopian Studies organized a multidisciplinary exhibition composed of photos, paintings and scripts representing the every region.

Collected by photographer Carlo Franchini, and painter Francesca Borro and the scientific projects of the maps of Orientale University the exhibition will stay on in the Institute of Ethiopian Studies for three months, from 5th November to 31st January.

In addition, the exhibition will interact with the collections of the Institute of Ethiopian Studies, thus focusing on the strong relationship between the ethnographic peculiarities of the wonderful Ethiopian regions and their landscapes and people.

This is the third leg of the exhibition, after being showcased in Naples and Rome, under the patronage of the Ethiopian Embassy in Italy. Having presented the beauty of Ethiopia to the wider Italian public, the exhibition is ready now to introduce such beauty to the many tourists who start their tour of Ethiopia from Addis Ababa and the Institute of Ethiopian Studies.

The doors of the exhibition will be opened on 3:30 pm on this Monday.