Monday, November 2, 2026
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A clean city is everyone’s responsibility

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Sidist Killo area, in front of Addis Ababa University Main Campus… The time was around 8:00 a.m. in the morning. It was at rush hour with heavy traffic. I was waiting for a mini-bus taxi destined for Megenagna. Many people lined up waiting for the taxi with me in the front row. Almost 30 minutes later, a mini-bus taxi that came from downtown turned its nose and pulled up in front of us. Immediately after, the driver jumped out of the cab and walked over to a wheelbarrow-man who was selling sugarcane at the roadside. He picked up a stick of sugarcane from the wheelbarrow, threw a coin to the man and returned to the cab which was by then filled with passengers. I took the first seat behind the driver.
Holding the steering wheel with his right hand, the young cabbie started chopping and peeling the sugarcane with his sturdy teeth. After sucking the juice, he threw the husk out of the window. I clearly saw the well-cleaned paved street being littered by the husk of the sugarcane. I felt as if the driver was disparaging the old women who sweep the streets everyday starting in the wee hours. I could see how the white husks of the cane stained the clean black street. How this young and sane guy could do this! I took no time before I stretched my hands towards the young cabbie and nudged him. He saw me through the rear-view mirror.
“What?” he enquired sternly munching the cane.
“I am sorry… but you are littering the street with …” I could not go through my words before he interjected.
“What? …What are you talking about?” He gave me a scornful look.
“Yeah, I just want to remind that you are littering the road. … we all should do our best to keep clean our city,” I tried to expound him.
“That’s none of your business, little man! Did I hurt you?… Don’t be bossy here. Go and tell this to your office boy! …You hear that?” He banged the steering wheel. Then he crunched the sugarcane indignantly and tossed the husk outside.
“Cool down please. I can give you a plastic bag if you have no any place to put it in,” I implored him.
He stared at me through the rear-view mirror. “Is this guy crazy? …This is my first biajo (first trip), please. Do you hear that, little man! … What a bad omen!”
It seemed he would be happy if he threw the husk on my face. He was so enraged. I had no choice but watching calmly what he was doing. …Did I provoke him to rage? No, I don’t think so. …But should I tell him that he is an obnoxious brat? …Should I thus judge him by his behavior? …No, no need to make an evaluation. Probably he is a good guy underneath. I consulted with myself.
I cleared my throat to speak but a lady who was sitting beside me nudged and beckoned me to stop talking with the cabbie lest he should not pick a quarrel. I was not comfortable with her warning and said to her, “no, he should not litter the street. We should remind him that this city is our common property. He should realize that he is strewing his own city. Besides, look at those women who wake up early in the wee hours to clean the streets. If you see people who engaged themselves in roadside trading, like banana or orange selling, they do not throw banana peels or orange skins in the street. They rather keep the wastes in plastic bags which they usually keep hanging on their wheelbarrow. This is a smart way of keeping our environment clean. I am of the opinion this young cabbie should draw a lesson from them…” Everyone in the taxi was listening to me silently.
The cabbie’s aide cut in. “Ok, brother,” he said looking at me, “you two, please, stop that! Let me do my business in peace.” He glanced up and said to the driver, “hey, please give me the husk. Don’t throw it out in the street. You hear me?” …He took the husk of the sugarcane from the driver and shoved it in his gown pocket. “We need peace! No need to throw words of anger against one another at this very morning.”
A lady who sat behind us patted the assistant boy on his back, seemingly expressing appreciation, and gave him a plastic bag so that he could collect the husk in it…
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Meanwhile, I feel it is appropriate to remind all that we should not be too heartless to impart our due appreciation to the city administration for the initiative it has been taking to refine our city. Yes, there are shortcomings with the administration. There are a lot of things that need closer attention. But we should not miss the fact that promising progress has been made regarding the improvement of the look of the city. Let alone the multitudes of beautiful buildings, take for instance the pavements stretched from Shiro Meda down to Arat Killo, side-walks across streets in Meskel Square, Bole, Mexico, Lideta, Torhayloch, Sarbet, Lebu, and other parts of the city. Take a look at the comfortable paved roads throughout the city. They all have been rebuilt beautifully. Should we not appreciate this?
Roads and streets have been marked with signs which make tours very simple. One can not get confused to locate residential addresses. There are also big sign boards that indicate names and distances of places. Look at the stops of city buses. The old shades have been replaced by the new eye-catching ones. Shouldn’t these be maintained well?
Look at the road-side latrines built few years back. Men who urinate in the middle of the road know very well the advantages of having these spots. Moreover, the ladies who are in charge of the newly built latrines are getting benefit from them. They support themselves and their families by selling hot beverages like tea and coffee. I feel this is a good progress. By the way, many (I have no exact figure) public latrines were built in various villages of the city. Residents in those villages were known to have faced with big problems of getting latrines.
At last, let me take you back to my final conversation with the young cabbie. I was the last commuter to get off the cab. The moment I stepped out, the young cabbie called me and said, “gashie… I am sorry for what I have done… I should not have done that! …I mean dropping the husks of the sugarcane. … Please, excuse my behavior!” fondling his hair, he was looking at me with saddened face.
“Ok, don’t worry! No problem! … Have a good day, young man.”

The writer can be reached at gizaw.haile@yahoo.com

Photographer publishes guide to Ethiopia’s National Parks

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Aziz Ahmed, professional wildlife photographer, launched the first journal which features guides to seven national parks in Ethiopia. The photographer has collected footage of wildlife for the past 14 years. The book took three years to make. It has 251 pages and is now available for 500 birr.

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The book was inaugurated at the National Theater last Monday in the presence of invited guests, including the Director of the Ethiopian Tourism Organization.
“The reason that I decided to prepare this journal is to raise awareness about our beautiful wildlife, and to keep a record of them,” Aziz told Capital. “I noticed for the past 10 years our parks have been getting damaged. When I travel to the parks I can’t find the wildlife when before it was normal to see them.”
The first edition which is comprised of 1,500 books is on the market with higher print standards and a hard cover. The US Embassy, Ethiopian Wildlife conservation Authority, Garad and Sofi Malt are among the sponsors.

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“We are planning to distribute the book to museums and schools with a special program,” he said. There are documentaries made on the parks to be presented to the schools .”
The photographer gave the books to 42 scouts working at the parks. He calls them the backbone of the parks.
“They always gave their life to visitors and their role in my career is irreplaceable,” said Aziz. “They saved my life from imminent danger many times and they deserve to be respected for their commitment.”
“I am planning to prepare the same journal for every national and regional park,” said Aziz.
The book which documented the seven national parks will be available digitally after the 5,000 copies are sold out.

The emotional moment of LA

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A documentary focusing on the visit of Prime Minister Abiy Ahmed (PhD) to the United Sates was launched last week at Sebastopol Cinema. Made by Nigist Likke, a daughter of the late Senay Likke (PhD), and produced by Brhanu Wolde, the movie was attended by various fans of the PM and artists. The Hollywood film maker interviewed residents at the gathering. She thanked Tewodros Teshome for offering his cinema for free to release the documentary officially.
Here are some of the comments attendees of the film gave:
“The mother of Ethiopia was crying for the past 50 years. We were hungry of justice and democracy and thank God that he sent him for us like he sent Mussie for the people of Israel. We Muslims will make Dua for him and our Christian brothers will pray for him,” Mohamed Siraj said.
“We are ready to do what team Lemma will tell us to do,” a couple said.
“We are definitely moving back home,” Michael and his friend exclaimed.
“My memory when I got out from my country was a civil crisis. I haven’t gone back since and we came in the early 1980s, but I am going home now,” Wondim Mohamed reported.
“He will unite Africa and this is an emotionally exceptional moment,” Getnet Fikere said.
“I will pray for him, I will consider as if I am born again today,” Nigist Tesfaye, an old woman spoke while crying.
“I thank God that I am alive to witness this today,” Amanuel Mihretu said.
“He is the fresh breath of East Africa,” Misrak Tekeste said.

“The Ready, Willing and Able.”

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“I am always thinking of this life and what it really means.” Artist Teferi Teshome

A funny thing happened to me on the way to writing this column for my avid readers this week. Let me rewind. In considering how I can add substantially to the art scene in Ethiopia, specifically and Africa generally, I decided to begin featuring an Ethiopian artist in this weekly column. Fast forward. There was a successful international art fair where one of our own Ethiopian artists had a sold out show! That is great news for the artist, the market, the country and therefore media worthy. My family has known and admired this talented and deserving artist for years, so it was a no-brainer for me to call the artist on Tuesday to request a short phone interview for the following day. After speaking to the artist to confirm the phone interview, I texted the artist to send me the biography and said I will send questions beforehand. I always find that helpful, even if the interview expands beyond. Appropriately, the phone interview would be in Amharic, as interviews in first language are always best, even if it means getting translation for my use. Long story short, when I called the artist, at the agreed time, there was no answer, additionally no biography had been sent. I then get a text message,  “sorry today I am very busy. I will send my bio on the evening…send the questionnaire and let me write you my response.” As I usually write late Wednesday evening this would not work; plus hearing the artist voice is an important part of my process as a writer. Keeping on open mind, when I did get the “Bio” it was a four sentenced crafted description of the artist’s work, targeted to – let’s just say a different audience. Hmmm… I asked myself the greatest question in the world…to me anyway…WHY? I promise you that we will answer this at another time, as the answer may help in unpacking and overstanding some of the challenges and obstacles existing in the Ethiopian fine art industry, which in my estimation, require reckoning.
However, as I always see the glass as half full, and committed to presenting our incredible Ethiopian fine artists, emerging or established, I reflected on an exhibition I viewed a few days before at the Gebre Kristos Desta Contemporary Museum. Artist Teferi Teshome’s short life was memorialized in this well curated exhibition entitled  “ሕያው አሻራ”, very loosely translated means ‘your life is an eternal print’. The visual journey into Teferi’s life in art opened with an installation shrine including three distinct elements that spoke volumes. A worn wooden loom used to create the distinct Ethiopian white cotton cloths or ‘shemma’; a bust of Teferi with piercing eyes, flowing locks and partial smile; and a couple of Ketchene style clay pieces, a distinct representation of his roots, his home and his space where he blossomed; best captured the artist. Teferi, a seasoned graduate of Ale School of Fine Arts and Design, passed shortly before leaving for a major group exhibition in Germany, called “Ethiopia Today”. Ethiopian Airlines had sponsored his round trip ticket and he was ready to go and share his inspiration and perspective.
The “Ethiopian Today” colorful 50 Page exhibition catalogue includes a photo of Teferi and this excerpt from his statement.  “Since my childhood skilled artisan workers in the Ketchene area of northern Addis Ababa have inspired me. The work of the potters, weavers and jewelers…left a lasting impression on me and continues to influence my artistic life. I am constantly searching for meaning in my life as I create things in connection with the four basic elements: water, soil, air and fire. I am always thinking of this life and what it really means. I need documenting life, death through happiness, sorrow and birth – with the joy and fashion of the creative process.” Wow! I find Teferi’s words, much like the art exhibition, profound and prophetic in the sense that folks who knew him and those who did not, could imagine the places he had been, the people he had seen, and the narratives he felt worth of recording for posterity.
Suffice it to say, that Ethiopia is endowed with talented artists, proud of their culture and country and ready, willing and able to share with the world, in their own words and on their own terms, the source of their inspiration, the meaning of their work and their quest and curiosity to explore life from their perspective. We will bring you these artists. I am thankful for this platform in the Capital, whose commitment to journalism, combined with a history of support for the arts, allows us to chronicle all things related to art, for your consideration.

Dr. Desta Meghoo is a Jamaican born Creative Consultant, Curator and cultural promoter based in Ethiopia since 2005. She also serves as Liaison to the AU for the Ghana based, Diaspora African Forum.