BY FITSUM GETACHEW
A few days ago, I came across a book filled with intriguing stories related to the journalism profession in our country. The title, “Zero Experience and Other Stories,” references a job vacancy announcement seeking fresh graduates with “zero year experience.” The main narrative revolves around a journalistic institution that placed this announcement, aiming to hire recent university graduates. The rationale behind this approach is that institutions prefer to mold new employees according to their specific mission and objectives, believing it is easier to shape inexperienced individuals into “good employees” than to reform those with entrenched habits from previous jobs. They argue that this strategy minimizes the risks associated with hiring seasoned professionals who may have developed poor work ethics, such as arriving late or making excuses for absenteeism. As a result, both public and private organizations often publish such vacancy announcements.
The author shares several short stories that primarily explore his experiences in journalism over more than two decades. He presents these narratives as if they are true, offering readers accounts that are “based on true stories.” While some tales feature real names and events, many others incorporate elements of fantasy to enhance their appeal and make them more engaging.
As a journalist with a similar background to Tamrat, I found myself resonating with many of the stories he shared. Upon reading the book, I was thoroughly entertained and finished it in record time, captivated by the author’s writing style and the amusing aspects of the journalism profession. The author vividly portrays journalists, the environments in which they work and live, and the diverse experiences they encounter.
Regarding his writing journey, Tamrat mentions that he has contributed numerous stories and articles to newspapers like “Addis Admas” before establishing his own monthly magazine, “Kumneger.” This magazine did not primarily focus on political content, unlike many others; instead, it aimed to entertain and celebrate culture. It highlighted arts and culture, featuring films, actors, musicians, sculptors, directors, composers, authors, journalists, photographers, fashion designers, and models. Additionally, it covered major current affairs, including interviews with political and diplomatic figures, filling the pages of many newspapers.
“Kumneger” was a well-regarded monthly magazine that enjoyed substantial readership over a long period, by Ethiopian standards. However, it had about forty pages until the cost of printing became prohibitively expensive. Those involved in publishing books and journals frequently express frustration over the high cost of printing and hope that the government will take measures to address this issue. Many authors believe that the limited number of enthusiastic readers in Ethiopia, compared to the levels necessary for the expansion of publications seen in various other African countries, discourages them from writing more.
Most of our journals and magazines focus on political matters rather than social issues, as readers tend to show greater interest in political events and government affairs. Consequently, they are often unwilling to pay for publications that cover only social topics, such as art and culture.
Particularly during election seasons, like in 2005, the number of publications surged, and public interest in reading increased significantly. The charged atmosphere of the election campaign fueled this excitement. Even books related to political issues saw a boom in publication. “Opposition parties” and their leaders became the focal point of nearly all publications, which contributed to a rise in readership. People were captivated by televised debates featuring opposition leaders challenging the incumbent government.
Rallies and campaigns generated significant headlines, marking what can be described as the “golden age” of the private press, in contrast to government or public publications. Had social media platforms existed then, it is likely that the atmosphere would have been even more electric, perhaps chaotic and difficult to manage.
In this context, Tamrat has authored a book based on his extensive experience in media, which has helped him refine the “art of storytelling.” He has had the opportunity to interview three prime ministers, including the current Prime Minister, Abiy Ahmed (Ph.D.). In his writings, he recounts asking questions that went beyond policy and political issues, focusing instead on personal stories that might intrigue his readers.
He inquired about the health of the prime ministers and their wealth, suggesting that the public was interested in knowing what kind of individuals they were beyond their political personas. He felt it was essential to ask such questions since other political figures might follow their leaders’ examples and combat potential corruption. According to his account, the responses he received were often interesting and humorous, as not all journalists are afforded the opportunity to ask their questions due to various constraints.
Many private press journalists have expressed frustration over the limited opportunities they have to access certain ‘official events’ that could provide valuable stories for their publications. They argue that the ‘private press’ is often viewed unfavorably in some government circles. Critics have accused these publications of focusing on negative and exaggerated stories, some of which may be completely unfounded. Despite these claims, Tamrat has raised important issues of professional ethics in journalism in several stories throughout his book, highlighting the need for accountability in the field.
When discussing journalism in Ethiopia, few are more qualified than Tamrat, who has been active in the industry for over twenty years. Throughout his career, he has attended countless press conferences and conducted thousands of interviews with various personalities, primarily in the arts and culture sectors. It is difficult to find a prominent figure or ‘celebrity’ who has not featured in his magazine, where he served as managing editor and owner. In addition to his own contributions, he collaborated with several regular contributors, enriching the magazine’s content and making it more diverse and engaging.
Tamrat is therefore well-suited to write short stories that are relatable and based on real events he experienced. His presentation of these stories is so captivating that readers will find it hard to put down the book, which consists of 131 pages and twenty compelling narratives.
Most of the stories are only a few pages long, with the exception of one, which discusses the ‘zero experience employee’ and is comparatively lengthy. The writer skillfully describes the characters in a way that connects them to people we know or have heard about through others’ observations or experiences. In journalism, one encounters numerous individuals and incidents, and the book serves as a collection of these observations. Almost all the stories are believable, reflecting real-life experiences. The names of the prime ministers he interviewed are authentic, and both the questions he posed and the answers he received are true. His approach often elicited smiles from interviewees, who appeared relaxed while responding, likely because they were not accustomed to such questions.
Some stories include hypothetical scenarios that did not actually occur but nonetheless entertain readers because they involve real personalities, such as the former president of Libya. From a certain perspective, all the stories in the book are engaging, and at times they feel too brief for the reader. For instance, it took me less than two hours to read the book during my commute to the office.
The language in the book is simple and clear, with short, straightforward sentences and paragraphs. This clarity creates an element of suspense, making readers curious about what will happen next and eager to continue reading. Tamrat’s skillful storytelling reflects his extensive experience as a journalist, which has shaped his narrative technique. His long years in the field have contributed to his development as a writer.
While some may criticize the book for seemingly mocking certain individuals in the profession, all the stories are plausible, even if they do not directly reference specific, real-life people. A disclaimer is provided at the beginning of the book, acknowledging this, except for the genuine experiences he has shared with the country’s leaders.
I personally look forward to reading Tamrat’s future publications, despite the challenges associated with the costs of printing. He mentioned that most of the stories in this book were written years ago, but it is only now that they have come to light.
