Monday, October 26, 2026
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Environmentally friendly soil-enhancing product

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Deputy Chief of Mission of the U.S. Embassy in Addis Ababa Fiona Evans joined the Special Advisor to the Minister of Agriculture, Sileshi Getahun, and Girma Abera from the Agricultural Transformation Agency to launch Apex-10, an American-made environmentally friendly and soil-enhancing product, approved for commercial use in Ethiopia, which significantly reduces fertilizer consumption and improves water retention.
The American company JSH International and Jigra Chemicals of Ethiopia partnered to bring the organic fertilizer booster Apex-10 to the Ethiopian market. The launch follows the signing of an agreement between the two companies in September 2021, allowing the Ethiopian company to have the exclusive right to distribute and sell JSH International’s innovative product, Apex-10, in Ethiopia.
Speaking at the launch event, DCM Evans expressed her optimism that the initiative will bring significant benefits to Ethiopian smallholder farmers, commercial farmers, and the entire nation. She reiterated the U.S. commitment to fostering such linkages, which protect Ethiopian food security.
Apex-10 has been tested and used across Africa and the world and has been proven to reduce the need for fertilizer and water, while improving yields. This is especially important in the face of regional droughts, changing climates, and supply chain disruptions affecting the availability of both food and fertilizer.

Use of agricultural statistics for improved food security

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The UN Economic Commission for Africa (ECA) hosts a celebration for Africa Statistics Day 2022 on the theme “Strengthening data system by modernizing the production and use of agricultural statistics with a view of informing policies to improve resilience in agriculture, nutrition, and food security on the African Continent.” The event is organized in collaboration with the African Development Bank (AfDB), the African Union Commission (AUC), and the Food and Agricultural Organization of the UN (FAO).
Oliver Chinganya, Director of the African Centre for Statistics at the ECA, explains, “the webinar intends to inspire our thinking on the need to strongly advocate for statistics daily – especially agricultural statistics given their critical role in shaping the farm economy as a more sustainable livelihood.”

Finalists Announced For Men’s Athlete of the Year 2022

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The names of the five finalists for Men’s World Athlete of the Year have been confirmed, as the countdown to the World Athletics Awards 2022 continues.

The five athletes, who represent five countries from three area associations, have achieved sensational performances across a range of athletics disciplines in 2022, at the World Athletics Championships Oregon22, World Athletics Indoor Championships Belgrade 22, one-day meeting circuits and other events around the world.

Mondo Duplantis, SWE
World pole vault champion indoors and outdoors
Diamond League and European pole vault champion

Soufiane El Bakkali, MAR
World 3000m steeplechase champion
Diamond League 3000m steeplechase champion

Jakob Ingebrigtsen, NOR
World 5000m champion, world 1500m silver medalist indoors and outdoors
European 1500m and 5000m champion

Eliud Kipchoge, KEN
Berlin Marathon champion
Tokyo Marathon champion

Noah Lyles, USA
World 200m champion
Diamond League 200m champion
The World Athletics Council and the World Athletics Family cast their votes by email, while fans logged their decisions online via the World Athletics social media platforms where a record 1.3 million votes were registered.
The World Athletics Council’s vote counted for 50% of the result, while the World Athletics Family’s votes and the public votes each counted for 25% of the final result.
Voting closed on 31 October.
The World Athletes of the Year will be announced on World Athletics’ social media platforms in early December, as part of the World Athletics Awards 2022.

The creative industry as economic assets

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Arts and culture are important to national economies. Arts and culture-related industries, also known as “creative industries,” provide direct economic benefits to countries and communities. They create jobs, attract investments, generate tax revenues, and stimulate local economies through tourism and consumer purchases.
These industries also provide an array of other benefits, such as infusing other industries with creative insight for their products and services and preparing workers to participate in the contemporary workforce. In addition, because they enhance quality of life, the arts and culture are an important complement to community development, enriching local amenities and attracting young professionals to an area.
Governments increasingly recognize the importance of the creative sector to their states’ economy and ability to compete in the global marketplace. A number of factors underscore the connection between economic competitiveness and creativity. For example, in the current global economy, creative and new media industries are growing in number and playing increasingly prominent economic and social roles. Companies’ decisions about where to locate their businesses often are influenced by factors such as the ready availability of a creative workforce and the quality of life available to employees.
Arts and culture can play a major role in community development and redevelopment by creating new jobs as well as fostering an environment and amenities that attract talented young workers. Tourism centered on arts and culture can contribute to national economic growth by providing a diversified and sustainable means for creating jobs and attracting revenue.
In this environment, a country’s arts and cultural resources can be economic assets. The arts and cultural industries provide jobs, attract investments, and stimulate local economies through tourism, consumer purchases, and tax revenue. Perhaps more significantly, they also prepare workers to participate in the contemporary workforce, create communities with high appeal to residents, businesses, and tourists, and contribute to the economic success of other sectors.
Countries define their creative economies in a variety of ways, depending on the composition and character of businesses, nonprofits, individuals, and venues that exist in any given areas. The creative economy may include human, organizational, and physical assets. It also includes many types of cultural institutions, artistic disciplines, and business pursuits.
Industries that comprise the arts and culture sector may include advertising, architecture, the art and antiques market, crafts, design, fashion, film, digital media, television, radio, music, software and computer games, the performing arts, publishing, graphic arts, and cultural tourism.
From the work of nonprofit arts agencies to the impact of cultural tourism, it is clear that the creative sector is important to state economies all across the country. The creative industry in Arkansas, the United States for example, employs nearly 27,000 individuals and generates $927 million in personal income for Arkansas citizens in 2020. Creative enterprises are the state’s third largest employer after transport and logistics and perishable and processed foods.
In the state of North Carolina, the wages and income of workers employed by creative industries infused $3.9 billion into the state’s economy in 2020. And in Massachusetts state, the 17.6 percent yearly growth of the cultural sector contributed $4.23 billion to the state’s economy.
To help their countries realize the full potential and economic benefits of the arts and culture sector, governments must identify the pivotal creative industries or clusters in the state. Then, they can adopt strategies that support and strengthen these industries. These include offering incentives targeted at the arts and culture sectors as well as development initiatives, entrepreneurial training, marketing programs, or public-private collaborations to encourage growth and invest in specific creative clusters.
In the United States state of Michigan, for example, has enacted a comprehensive incentive program, which includes tax credits, designed to entice film projects to locate in the state. The state of Kentucky offers a “Craft Marketing Program” that provides business and product development services to participating artists and helps market their work both inside and outside the state.
In addition, some states are encouraging collaborations between artists, designers, and product engineers in a variety of manufacturing and high-tech industries. In California, for example, the University of California Santa Cruz has partnered with local industry and the city of Santa Cruz to establish the “Santa Cruz Design Innovation Center”. The center’s goal is to leverage local design talent to grow design-based business and attract new businesses to the area. Such collaborations stimulate new thinking, encourage new product development, and make the most of a state’s collective creative and business resources.
The creative industries offer numerous benefits to national economies, and countries have an opportunity to both improve livability and boost national economies by investing in the arts and culture.