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The fighter’s spirit: Commemorating the Adwa Victory 125 years on Victory Day as opposed to Independence Day

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By Yohana Kassahun

There is an unusually tense atmosphere at Menelik Square. The nation has gone through an unfortunate series of events the previous year, with the misfortune trickling into 2013EC. The unrest in the north had left the country slightly divided. The recovery from that seemed like it would be a bit more speedy on Tuesday when hundreds of thousands of Ethiopians were seen in cultural clothes and T-shirts with prints commemorating the Adwa Victory. Tuesday’s celebration commenced in the attendance of Ethiopian President Sahle-Work Zewde, the Minister for Culture and Tourism, Hirut Kassahun, senior government officials and members of the Ancient Ethiopian Patriots’ Association, and thousands of city residents who gathered around a bronze statue of Emperor Menelik II on horseback. Security forces stated that the victory day was celebrated peacefully with no security incident.
The victory of Adwa took place on March 1, 1896, at Adwa, in north-central Ethiopia, between the Ethiopian army of Emperor Menelik II and Italian forces. The victory had major significance for being the first crushing defeat of a European power by African forces during the colonial era. The Ethiopian army’s victory checked Italy’s attempt to build an empire in Africa.
The war declaration was widely heeded and welcomed throughout the country, a clear affirmation of his popularity. Menelik’s declaration is an important literary document in the context of preparation, the will to fight and become victorious at the Battle of Adwa. Menelik appealed to the love of family, religion, and country. He reminded Ethiopians that the enemy intends to take away the core values and traditions cherished by the people. Menelik declared:
“Up until now, through the grace of God, who permitted me to live by destroying my enemies and expanding the territorial boundaries of our country. It is also through the grace of God that I am ruling. Therefore, I have no fear of death. More importantly, God has never let me down and I am confident that he will let me be victorious again.”
“At this time, another enemy has entered our territory by crossing our God-given sea. His objective is to destroy the country and to change religion. As a result of a major cattle disease that devastated a large number of our livestock and brought great sufferings to our farmers and pastoralists in the last few years, I remained quiet and patient to numerous hostile provocations. And yet the enemy continued to dig deeper in the ground like a hog.”
“Now God willing or with God’s help, I will not surrender my country. My fellow country folks, I do not believe that I disappointed you in the past. You have not also disappointed me. If you are strong, then help me with your strength to fight the enemy. If you are not strong, I seek your moral support for the sake of your children, wife, and religion. If, on the other hand, you seek a lame excuse not to join the national campaign against our enemy, I will be upset and I will have no mercy on you, I will punish you. My campaign begins in October, and I expect volunteers from Shewa to gather in Woreilu by mid-October.”
The call came as such and the patriots obliged.
Menelik’s forces were well armed with modern weaponry. They numbered more than 100,000. Menelik, however, shrewdly downplayed this military strength by leaking false reports indicating a much smaller number of troops under his command and by spreading rumors that there was widespread discord among his forces.
The number of those in the Italian army who were killed is estimated to have been more than 6,000, of whom slightly more than half were Italian; the remainder were askari forces (African troops hired and trained by the Europeans). Additionally, between 3,000 and 4,000 of those fighting under Italian command were taken prisoner by the Ethiopians. Perhaps as many as 70 percent of Italy’s soldiers were thus killed or captured. More than 5,000 Ethiopian troops were killed and 8,000 wounded in the battle—a number greater than Italy’s losses, but a small percentage of all Ethiopian forces.
The Treaty of Addis Ababa, signed in October 1896, abrogated the Treaty of Wichale and reestablished peace. The Italian claim to a protectorate over all of Ethiopia was thereafter abandoned, and the Italian colony of Eritrea, finally delimited by a treaty of peace (September 1900), was reduced to a territory of about 200,000 square km (80,000 square miles).
Menelik’s victory over the Italians gave him significant credibility with the European powers, bolstered his mandate at home, and provided the Ethiopian kingdom with a period of peace in which it was able to expand and flourish, in contrast to most of the rest of the African continent at that time, which was embroiled in colonial conflicts.
Ethiopia’s President Sahle-Work Zewde stated in her speech “We have to understand the problems we are facing now and find a solution. We must strive to move forward for a better future by embracing the spirit of Adwa,” the president emphasized, adding, “We must work in harmony to secure a developed country for the coming generation, accepting the fact that nothing comes above our beloved country,” she said.
Muferiat Kamil, Ethiopia’s Minister of Peace, stressed that the Adwa victory is an important milestone, and Ethiopians should tap into the sense of unity that resulted from the memorable victory towards building national resilience that would help withstand current misunderstandings among the Ethiopian society. “The victory of Adwa is a symbol of unity, togetherness, and strength not only for Ethiopians and the rest of African but also for the global community,” she said.
Getachew Birhanu, a 23-years-old university student from Ethiopia’s northwestern Bahir Dar city who is presently attending the Addis Ababa University, said the day signifies a profound achievement not only for Ethiopians but also for all Africans and other freedom fighters across the globe.
“As the name depicts, it signifies a momentous victory by a less-equipped Ethiopian force against a well-equipped colonizing Italian force. Because of them (Ethiopians who fought against the colonizer force), we now celebrate a Victory Day as opposed to Independence Day,” added Birhanu.

FROM ETHIOPIA TO THE WORLD

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YIMRA is a talented young Ethiopian rapper who is not new to the music industry. He has been doing music for more than a decade, with 2 mixtapes out that have gained traction even in the United States. His artistic vision has proven to be one of the most anticipated among the youth. He incorporates elements of old school rap and hip hop with traditional homegrown sounds. He currently resides in Addis Ababa, Ethiopia. Capital sat down with this future icon for an insight of his music. Excerpts;

 

Capital: What made you start a music career?
Yimra: My music career started when I was 10. My brother played a huge role in that. He is the one that taught me how to rap. He and our neighbor Abiy used to freestyle sometimes. I even remember their first rhyme. It went like “Man, get your own life. Don’t take mine to impress your wife.” I started taking it seriously and began performing when I was 13. I owe my brother for this deep found inspiration. I even have a song dedicated to that story called I’m Still Here which is on my second mixtape, Good Vibes, and Celebration. My music is modeled after old-school rap and hip hop. The 90s influence is quite significant in my music. YIMRA is my real name but I like to think that it’s an abbreviation for Young Incredible Man Rapping Ambition. I think it is fate. It felt like love at first sight when it comes to rap. Two days after I heard my first rap I started scribbling my raps on a notepad. I have 389 written tracks so far. All of the tracks convey different emotions. I would like my audience to feel inspired by my songs. I am not in the game for the money. My goal in it is to make people chase their dreams. What makes me happy is knowing that I can at least inspire one person that listens.

Capital: Which artists have influenced your music?
Yimra: Sadly they have all passed away because I take inspiration from old-school rap and hip hop. I’m wearing one of my biggest inspirations right now. This is Big pun (he expressed holding his T-shirt), I love Big L too and Biggie Smalls aswell. I admire 2 Pac’s storytelling through his music as well. I am heavily influenced by East Coast (New York) rap. It’s called Boom bap rap. I love storytelling in my tracks. This generation doesn’t appreciate that. Listeners nowadays gravitate more towards Trap music that hype up the flex culture. The lyrics don’t necessarily have to be deep or conscious. What I try to do is meet my fans in the middle by putting in lyrics that make you think over trap beats. I’m very attentive when it comes to my writing. I am extremely picky about what I put out. I have written all my rhymes. I can never rap lyrics that some other person has written for me. I can also never write for other rappers. My writing is too personal. As an artist, I believe that everyone should craft their material.

Capital: What’s your creative process?
Yimra: I have to be inspired to write. I write my best materials when I’m in a dark place in life. That’s why I don’t fear going through hard times. I know that I can make something beautiful out of it. I have to feel what I write.

Capital: What artists have you collaborated with?
Yimra: Tom Beatz has to be one of my favorite collaborators so far. We vibe with similar types of music and I think that made our artistic chemistry that much stronger. We click on another level. We have also developed a great friendship. I’ve known him for a few years now but we’re much closer now. What we do as artists is called Alchemy. I define alchemy as turning sadness and emotions into art. I’m planning to name my next album Alchemy as well.

Capital: We understand that your father passed away recently. How did that affect your music?
Yimra: It was an extremely difficult time. I couldn’t leave the house at all for a few months. I had already started the album and had a clear vision of the direction but I had to write more songs to properly address the emotions I was going through. I just kept writing and writing. In a way, his passing made me want to do more and better. Every single song I did, I wanted to improve the next one. Even on the same track, if the first verse was good the second one has to be even better. I poured my heart and soul into my new album. I have a song commemorating my father on the album as well.

Capital: How would you describe this new album, TROY?
Yimra: TROY means The Return of Yimra. It’s been 4 years since I dropped my last mixtape. I made this album with the goal in mind that it should represent Africa and not just Ethiopia. I think it will set the tone for excellence in music. I tried to make it more diverse by adding more cultural sounds, Amharic lyrics, a feature from a UK artist, collaborations with my fellow label mates at P.A.R.C with CallMeDaggy, Giday, Perasim, Henok, Kirubel, and Afro Habeshawi. Kassmasse is also featured in two songs. It has 18 tracks excluding the interludes. The tracks on the album tell a single cohesive story. It’s a new wave that’s about to hit the streets. We’re planning to drop it in May and it’ll be available on all platforms. I hope the fans are ready!

Capital: How do you think you’ve evolved as an artist since your last mixtape?
Yimra: When I listened to my old music and listen to the new one, I hear a clear difference. Flow-wise and lyrics-wise, I think I have improved immensely.

Capital:What has been your favorite performance so far?
Yimra: I used to do gigs back in China. I lived there for a couple of years and that was my only means of income. My first performance ever was at my high school carnival in Saint Joseph. It was a surreal experience for me because I had released a few songs before that and I sang one then. Everyone there knew the words to it and the crowd started singing along. That almost choked me up. I didn’t even expect that. I’d have to say that was my favorite. I won a few talent shows as well in high school. I feel like I belong on the stage. I am my true self when performing in front of a crowd. I am the happiest on stage. The performance that I am still longing for is a concert at night where the entire audience has their lighters up. My dream performance would be the Coachella stage.

Capital: What’s next for YIMRA?
Yimra: TROY is what’s next for me. I can’t wait to drop it. I can’t wait to see people’s reactions and feedbacks. I truly poured my being into this album. It surpasses everything I have done so far. I consider all my mixtapes and albums as my children. TROY is my favorite child. It will bew availavle on all streaming services.

Capital: What’s a message that you’d like to convey to your fans?
Yimra: Be you. Chase after your dreams. Don’t judge a book by its cover. Self-love is very important. A lot of the songs on the new album are about self-love. I also want my listeners to know that it’s never too late. It’s a marathon, not a sprint. I want them to live a better life than I did. I want to save them from making the same mistakes that I have.

Mauritius and Morocco join African Development Bank Bloomberg bond index

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The African Development Bank announced the addition of two new countries – Mauritius and Morocco – to its Bloomberg African Bond Indices (ABABI), marking steady progress in the Bank’s efforts to deepen the continent’s local currency bond market.
The African Development Bank administers the ABABI, a family of African bond indices launched in February 2015 and calculated by the independent, global index provider Bloomberg.
At the launch, the indices included Egypt, Kenya, Nigeria, and South Africa. Botswana and Namibia joined in October 2015, and Ghana and Zambia in April 2017. Effective 1 January 2021, Mauritius and Morocco have become members of the ABABI, the Bank said.

Humanitarian response in Tigray Region underway

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Since the law enforcement operation in the Northern part of Ethiopia is completed, humanitarian assistance containing food & non-food items and medical supplies have been delivered for more than 1.8 million beneficiaries and is expanding to address 2.5 million beneficiaries across the region.
Under the leadership of the Emergency Coordination Center (ECC) Ministerial Committee, an Emergency Operation Center (EOC) comprising of technical teams from Ministries, Regional Bureaus, UN Agencies and International NGOs has been established in Mekelle City to address immediate needs.
A four-layered Emergency coordination system (Regional, Zonal, Woreda and food distribution point) have been put in place to capture additional needs. The Government of Ethiopia is collaborating with development and humanitarian partners for a rapid delivery of supplies to increase the coverage of assistance to identified beneficiaries. The Ethiopian National Defence Force is supporting the coordination of the humanitarian assistance by facilitating secured movement of people and supplies. Distribution is facilitated by the National Disaster Risk Management Commission (NDRMC), Consortium of International and local NGOs under the coordination of UNOCHA and the Productive Safety Net Program (PSNP). Distribution is carried out from Axum, Adigrat, Alamata, Mekelle Zuria, Shire and Mekelle City.