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Dealing with mediocrity 4

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Job performance is the product of three varying factors, i.e. individual attributes, work effort and organizational support. If any of these factors amounts to zero, the equation will be zero and hence no performance to speak of may be expected. If the worker does not have what it takes (individual attributes), (s)he cannot be expected to do the job. If (s)he is not motivated and does not make any effort, there will be no results either. The past few weeks we looked at these two factors and came to the following conclusions:
Individual attributes must match task requirements to facilitate job performance.
Contrary to what many people believe, there are very few differences between men and women that would affect job performance.
Older people are no more likely to be unproductive than younger people.
Understanding personalities helps the manager predict what somebody can do and what that somebody will do.
Management not being aware of personal attributes of workers will lead to using blanket management instruments, not necessarily the most effective.
Even if the employee fits the task requirements as closely as possible, it does not necessarily mean that performance will be high. The willingness to put in the best ultimately rests with the individual worker.
Today we will look at the last factor which influences job performance: organizational support. In other words: what can the organization or company do to get the best out of its employees? Even a person, who matches the job requirements and is highly motivated to work hard, may not be a good performer because of insufficient support in the workplace. Such inadequacies are referred to as situational constraints and include:
Lack of time and short deadlines, resulting in rushing a job.
Inadequate budgets.
Inadequate tools, equipment or supplies.
Unclear instructions and job related information.
Unfair levels of expected performance.
Lack of job related authority.
Lack of required services and help from others.
Inflexibility of procedures.
All these problems share a common theme and force the manager to find an answer to the following question: “How well is the motivated and capable worker supported in trying to perform assigned tasks?” Managers must ensure that organizational support for performance exists in their areas of supervisory responsibility. The manager’s job therefore is to create a work environment that responds positively to individuals needs. Poor performance, undesirable behaviour and decreased job satisfaction can be partially explained in terms of needs that are not met on the job. In other words, managers must understand how individuals differ in what they need from their work and know what can be offered to individuals in response to their needs, or in other words to motivate them.
Whether or not a work setting provides motivation depends on the availability of rewards. When the worker experiences rewards for work performance, motivation will be directly and positively affected. Rewards may be extrinsic or intrinsic. Extrinsic rewards are given to the worker by somebody else in the organization, for example pay. Intrinsic rewards are received by the worker directly as a result of task performance. They do not require the participation of another person. A feeling of achievement after accomplishing a particularly challenging task is an example of an intrinsic reward. The distinction between extrinsic and intrinsic rewards is important because each type of reward demands separate attention from a manager seeking to use rewards to increase motivation.
How can this knowledge then help us practically while managing a company or an organization in Ethiopia? Types of rewards that motivate workers in Ethiopia may not be the same as for workers in other countries and cultures. In fact they are likely to be quite different. It requires insights and knowledge of the local culture and the worker’s individual needs that will help the manager find the kind of rewards that will positively affect the motivation to work. Examples include pay, benefits, education, training, transport, leave, etc. In the Netherlands for example, it doesn’t really matter what means of transport one uses to get to work. In fact, you are likely to meet your boss on the same bus or train or on the bicycle for that matter. In contrast, being allowed to use a company car for home-work transport is highly valued here. Paternity leave is provided to young fathers in some countries to enable them to provide support at home. Here, this kind of leave may not be that effective as a result of the different support mechanisms and gender roles that exist in Ethiopia.
The situation becomes even more complicated in international companies and organizations, which employ both Ethiopian and expatriate staff. A reward from the perspective of the expatriate worker may be a punishment for the Ethiopian. The manager’s challenge is finding out what the common and individual needs are and which kind of rewards will motivate and which not. Including staff is therefore helpful in developing the right policies.

ton.haverkort@gmail.com

Mandefro Tesfaye

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Name: Mandefro Tesfaye

Education: Diploma

Company name: Web yogurt and restaurant

Title: Owner

Founded in: 2014

What it does: Supplying yogurt and different meals

HQ: Gerji area

Number of employees: 12

Startup Capital: 50,000 birr

Current capital: Growing

Reasons for starting the business: Having my own business

Biggest perk of ownership: Economic freedom

Biggest strength: Hard working

Biggest challenging: Acquiring land and house rent

Plan: To produce packed branded yogurt

First career: Restaurant manager

Most interested in meeting: Mengistu Hailemariam

Most admired person: PM Abiy Ahmed

Stress reducer: Naping

Favorite past-time: Listing music

Favorite book: Fikir Eskemekaber

Favorite destination: Turkey

Favorite automobile: Toyota

ART, PRESS, POLITICS & JURISPRUDENCE

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“…there is no freedom in this world we live in, rather freedom of choice….” Ethiopian Artist Mezgebu Tesema.

International award winning rap artist Cardi-B, sings “Press press press… Cardi don’t need no press…”. She is right! On the other hand, African American Artist Danny Simmons, shares on his widely followed FB page, “…the art world is funny…in one art world you’re a superstar and in another nobody knows you…”. Simmons is hip-hop mogul Russell Simmons’ big brother and founder of Rush Philanthropic Arts Foundation and Rush Arts Gallery who was commenting on the 100K USD grant to be made available for important yet under-recognized artists in New York. These sentiments made me think about African artists, who may not get a lot of media, yet remain significant in the context of the narrative of Africa’s contribution to the international art scene. One such artist is Ethiopian born Mezgebu Tesema, a quiet unassuming painter; famous at home for his oversized hyper-realistic paintings, depicting temptingly touchable rural and urban spaces, presented in the most pristine and poignant manner.
Mezgebu’s work is on show in New York City at Columbia University’s Wallach Gallery entitled, After the End: Timing Socialism in Contemporary African Art. According to Hyperallergic.com’s Rachell Morillo, the exhibit reveals “…personal relationships to, and experiences of, socialism in countries such as Angola, Ethiopia, Guinea-Bissau and Mozambique. Focused on the liminal space between the promise that came with independence from colonial rule and the reality of the end of the Cold War, each artwork attempts to make meaning from the dramatic political shifts… interrogating the historicism, nostalgia, and specificity of that moment. The works …do not relate to each other chronologically or even by country of origin. Instead, visitors are left to draw our own connections … .”
Morillo’s analysis of Mezgebu, the highly trained Addis Abeba University Alle School of Fine Art and St. Petersburg’s Ilya Efimovitch Repin Leningrad Institute for Painting, Sculpture and Architecture graduate, with high honors in both cases, is on point. “Demonstrating a high level of proficiency, Mezgebu Tesema…demonstrates his interest in expanding traditional forms to reveal new meanings. In the trompe l’oeil painting “Standing on the Frame” (2015), a young woman leans against the edge of a wooden frame — a frame that juts out, levitating on its own plane which seamlessly intersects but is not a part of the large Addis Abeba landscape which acts as her backdrop. The figure’s precarious position speaks to the uncertainty produced around people’s identities in the aftermath of social upheaval.” Mezgebu’s philosophy, “…is to show what is not…” as he aspires to “understand the actual space we experience through time.” He further states on his website, “…there is no freedom in this world we live in, rather freedom of choice….the ideology created whenever we work hard to liberate ourselves from every kind of limitations, barriers and borderlines…”. Mozambique’s phoneme, Angela Ferreira and Angolan photographer, performer and multimedia artist, Kiluanji Kia Henda are also featured in the exhibition.
While galleries and museums continue to be the top choice for shows by the growing number of outstanding African artists, many up and coming African artists see restaurants as a way to get their foot in the door. In the case of Ethiopia, Makush, owned by Tesfaye Hiwet, arguably started if not perfected the trend over 15 years ago with names such as Dawit Abebe, Zerihun Seyoum and Tamrat Gezahegn. While Makush sells scores of pieces per year, Art Newspaper’s Anna Brady reveals another restaurant promoting local artists, exponentially. “The world’s largest collection of South African contemporary art hides in plain sight. Over 22,000 works are hung on the walls of Nando’s, the come-one, come-all chain of chicken restaurants … with almost 1,300 outlets worldwide the…largest public viewing space for emerging South African art—if diners look up from that flame-grilled chicken.” Who knew?! Majority shareholder of Nando and owner of a “discreet high value cotemporary art collection’, Richard (Dick) Enthoven, is the brain behind the concept, happy to oblige South Africa’s artists.
Finally, obliging offenders through art is a novel idea offered in New York City justice system in conjunction with Brooklyn Museum. The press release states, “Project Reset aims to create a proportionate response to low-level crime… holding young people accountable for their actions and connecting them with needed social services while avoiding the use of incarceration and the potential harms associated with standard case processing to complete an art-based program at the Brooklyn Museum that uses art to encourage participants to reflect on their experiences with the justice system and discuss perspectives on accountability.” The participants enjoy free entrance to the museum after completing the program, a nice bonus. Art is crosscutting and I am always excited to share new uses of art across all spheres to help us keep our minds and eyes open for all art has to offer especially for Africans.

Dr. Desta Meghoo is a Jamaican born
Creative Consultant, Curator and cultural promoter based in Ethiopia since 2005. She also serves as Liaison to the AU for the Ghana based, Diaspora African Forum.

Great Ethiopian Run launches “Running for a Cause”

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Great Ethiopian Run in connection with the 2019 TOTAL Great Ethiopian Run launches its official fundraising campaign “Running for a Cause” and the official race slogan “Girls Deserve to be Equally Seen, Heard and Valued” at a Press Conference at the Hyatt Regency Hotel on October 3. It also launches registration for the Plan International Children Races which takes place at the eve of the main international event on the Saturday 16 November 2019.
Great Ethiopian Run international 10km race has been staged for the last 18 years with the aim of developing mass sport in Ethiopia, promoting messages and good causes, nurturing professional expertise in organizing mass races, promoting Ethiopia and sport tourism, creating a platform for young and upcoming athletes.
“Running for a Cause” started in 2005 as the official fundraising campaign to raise funds for vulnerable children, women and elderly. In the last 13 years Great Run have raised a total of 13.5 million birr and distributed it to over 30 charity organizations. Last year alone it raised 1.8 million birr and shared it to four beneficiary charities.
Registration for the Plan International Ethiopia Children races will start on Monday 7 October at Great Ethiopian Run office located on Bole road Alem building.